“They walked through the rainy dark like gaunt ghosts, and Garraty didn't like to look at them. They were the walking dead.”

“The two of them walked toward the road and the stone marker. Behind them, other cars were pulling out. A woman began screaming abruptly. Unconsciously, Garraty and McVries drew closer together. Neither of them looked back. Ahead of them was the road, wide and black.”

“No, you're not getting exhausted yet, Garraty." [Stebbins] jerked a thumb at Olson's silhouette. "That's exhausted. He's almost through now."Garraty watched Olson, fascinated, almost expecting him to drop at Stebbins's word. "What are you driving at?""Ask your cracker friend, Art Baker. A mule doesn't like to plow. But he likes carrots. So you hang a carrot in front of his eyes. A mule without a carrot gets exhausted. A mule with a carrot spends a long time being tired. You get it?""No."Stebbins smiled again. "You will. Watch Olson. He lost his appetite for the carrot. He doesn't quite know it yet, but he has. Watch Olson, Garraty. You can learn from Olson."Garraty looked at Stebbins closely, not sure how seriously to take him. Stebbins laughed aloud. His laugh was rich and full-a startling sound that made other Walkers turn their heads. "Go on. Go talk to him, Garraty. And if he won't talk, just get up close and have a good look. It's never too late to learn.”

“The woman had looked into the abyss and then walked out across it.”

“Shortly after, the aqueous symphony of dawn began. The last day of the Walk came up wet and overcast. The wind howled down the almost-empty alley of the road like a lost dog being whipped through a strange and terrible place.”

“Garraty wondered how it would be, to lie in the biggest, dustiest library silence of all, dreaming endless, thoughtless dreams behind your gummed-down eyelids, dressed forever in your Sunday suit. No worries about money, success, fear, joy, pain, sorrow, sex, or love. Absolute zero. No father, mother, girlfriend, lover. The dead are orphans. No company but the silence like a moth's wing. An end to the agony of movement, to the long nightmare of going down the road. The body in peace, stillness, and order. The perfect darkness of death.How would that be? Just how would that be?”

“What chance?’ she had asked, bewildered.‘Your chance. Your chance to live your own life. Right now you have the look of a woman who is seeing ghosts. Not everybody believes in ghosts, but I do. Do you know what they are, Trisha?’She had shaken her head slowly.‘Men and women who can’t get over the past,’ Aunt Evvie said. ‘That’s what ghosts are. Not them.’ She flapped her arm toward the coffin which stood on its bands beside the coincidentally fresh grave. ‘The dead are dead. We bury them, and buried they stay.”