“Without his even being aware that it was happening, Paul's face rearranged itself into the expression of sincere concentration he always wore while listening to editors. He thought of this as his Can I Help You, Lady? expression. That was because most editors were like women who drive into service stations and tell the mechanic to fix whatever it is that's making that knocking sound under the hood or going wonk-wonk inside the dashboard, and please have it done an hour ago. A look of sincere concentration was good because it flattered them, and when editors were flattered, they would sometimes give in on some of their mad ideas.”

“The only one who didn't know was George Lucas. We kept it from him, because we wanted to see what his face looked like when it changed expression--and he fooled us even then. He got Industrial Light and Magic to change his facial expressions for him and THX sound to make the noise of a face-changing expression.”

“Don’t ever apologize for being you, Andie.” She opened her eyes and turned to him. He was looking at her, and there was such conviction and sincerity in his expression that Andie felt like she was going to break under the weight of it.”

“Her eyes, always sad, now looked into the mirror with particular hopelessness. "She's flattering me," thought the princess, and she turned away and went on reading. Julie, however, was not flattering her friend: indeed, the princess's eyes, large, deep, and luminous (sometimes it was as if rays of light came from them in sheaves), were so beautiful that very often, despite the unattractiveness of the whole face, those eyes were more attractive than beauty. But the princess had never seen the good expression of thise eyes, the expression they had in moments when she was not thinking of herself. As with all people, the moment she looked in the mirror, her face assumed a strained, unnatural, bad expression.”

“I would have done whatever it took to save you.' His voice and his expression were grave. 'Even if that meant I had to spend eternity in Hell.”

“Rosenfeld went to work for the Herald Tribune after his graduation from Syracuse University and has always been an editor, never a reporter. He was inclined to worry that too many reporters on the metropolitan staff were incompetent, and thought even the best reporters could be saved from self-destruction only by the skills of an editor. His natural distrust of reporters was particularly acute on the Watergate story, where the risks were very great, and he was in the uncomfortable position of having to trust Bernstein and Woodward more than he had ever trusted any reporters.-- Carl Bernstein, Bob Woodward”