“The Beats and the Pranksters showed us different ways of opting out of society. They were both the personification of countercultural movements. The Beats were trying to change literature, and the Pranksters were trying to change the people and the country. Kesey, in fact, was his own cultural revolution, striving to keep the upbeat, freedom-loving spirit of America alive.”

“Most—but not all—of the writers I knew then were young men who cherished their independence, were unconcerned about job security, and were serious about their writing. They didn’t want to be anyone’s employee if it interfered with their writing. They were halfway or all the way outside the mainstream and were often not interested in becoming part of the burgeoning corporate society. They had more freedom than your average American.”

“I realized Jack [Kerouac] was deeply committed to writing. Kesey was just as deeply committed to living and experiencing the lives of others; for him writing was just a part of living.”

“A writer who’s a pro can take on almost any assignment, but if he or she doesn’t much care about the subject, I try to dissuade the writer, as in that case the book can be just plain hard labor.”

“I was impressed with Jack [Kerouac]’s commitment to serious writing at the expense of everything else in his life. At a time when the middle class was burgeoning with new homes, two-tone American cars, and black-and-white TVs, when American happiness was defined by upwardly mobile consumerism, Kerouac etched a different existence and he wrote in an original language.”

“(He) mourned mankind, and the blindness of men, who thought that the Kosmos had rules and limits that would shelter them from their own freedom. There were no shelters. There were no final purposes. Futility, and freedom, were Absolute”

“An author’s strong belief and enthusiasm will affect the writing of the book and often the publisher’s commitment to it.”