“We need books...because we are all, in the private kingdoms of our hearts, desperate for the company of a wise, true friend.”
“The answer is that we don't choose our freaks, they choose us.”
“My own kind. I'm not sure there's a name for us. I suspect we're born this way: our hearts screwed in tight, already a little broken. We hate sentimentality and yet we're deeply sentimental. Low-grade Romantics. Tough but susceptible. Afflicted by parking lots, empty courtyards, nostalgic pop music. When we cried for no reason as babies, just hauled off and wailed, our parents seemed to know, instinctively, that it wasn't diaper rash or colic. It was something deeper that they couldn't find a comfort for, though the good ones tried mightily, shaking rattles like maniacs and singing, "Happy Birthday" a little louder than called for. We weren't morose little kids. We could be really happy.”
“Our job, then, is two-fold: to focus on our own failings as writers. But also to speak more forcefully as advocates for literature. Books are a powerful antidote for loneliness, for the moral purposelessness of the leisure class. It’s our job to convince the 95 percent of people who don’t read books, who instead medicate themselves in front of screens, that literary art isn’t some esoteric tradition, but a direct path to meaning, to an understanding of the terror that lives beneath our consumptive ennui.”
“It is certainly true that cooking is therapeutic, creative and all those other faintly creepy self-helpish words. I would love to tell you that learning to cook was part of my journey toward actualization. I would love to tell Oprah this. I would love to tell Oprah this while weeping. But I learned to cook for a much simpler reason: in the abject hope that people would spend time with me if I put good things in their mouth. It is, in other words (like practically everything else I do), a function of my desperation for emotional connection and acclaim.”
“Vonnegut had seen the worst of human conduct and refused to lie about the sort of trouble we were in, but who had not allowed his doubt to curdle into cynicism, who, for all his dark prognostication, was a figure of tremendous hope. The evidence was in his books, which performed the greatest feat of alchemy known to man: the conversion of grief into laughter by means of courageous imagination. Like any decent parent, he had made the astonishing sorrow of the examined life bearable.”
“But the real life of a writer resides in showing up at the keyboard every day, with the necessary patience and mercy, and making the best decisions you can on behalf of your people. It’s a slow process. It often feels hopeless, more like an affliction than an art form.Most of us will have to find our readers one by one, in other words, and against considerable resistance. If anything qualifies us as heroic, it’s that private perpetual struggle.Put down the magazine, soldier. Forget about the other guy. Remember who you are.”