“What a nasty act of cruelty, giving a dying man his last wish. Don't you realize he doesn't want it? His real wish is not to die.”

“I groaned. Man and his codes! Even in a lawless inferno, man has to give himself some honor, he's so desperate to separate himself from the beasts.”

“He pointed the gun at me. Then he looked up at my hand & tilted his head slightly.- Journey, he said. I had forgotten I was still holding the book.- Céline, I said back in a whisper.- I love that book.- I'm only halfway through.- Have you got to the point where --- Hey, kill me, but don't tell me the end!”

“Apparently they died from overfeeding. Apparently I overfed them. Apparently fish are terrible glutons with absolutely no self-control who just don't know when they've had enough and will stuff themselves to death with those innocuous little beige flakes imaginatively labeled 'fish food.”

“You never hear of a sportsman losing his sense of smell in a tragic accident and for good reason; in order for the universe to teach excruciating lessons that are unable to apply in later life, the sportsman must lose his legs, the philosopher his mind, the painter his eyes, the musician his ears, the chef his tongue.”

“While Terry joined the others in the pool, I subjected myself to a dreadful thing called musical chairs, another cruel game. There's one chair short, and when the music stops you have to run for a seat. The life lessons never stop at a children's party. The music blares. You never know when it's going to stop. You're on edge the whole game; the tension is unbearable. Everyone dances in a circle around the ring of chairs, but it's no happy dance. Everyone has his eyes on the mother over by the radio, her hand poised on the volume control. Now and then a child wrongly anticipates her and dives for a chair. He's shouted at. He jumps off the seat again. He's a wreck. The music plays on. The children's faces are contorted in terror. No one wants to be excluded. The mother taunts the children by pretending to reach for the volume. The children wish she were dead. The game is an analogy for life: there are not enough chairs or good times to go around, not enough food, not enough joy, nor beds nor jobs nor laughs nor friends nor smiles nor money nor clean air to breathe...and yet the music goes on.”

“You experience life alone, you can be as intimate with another as much as you like, but there has to be always a part of you and your existence that is incommunicable; you die alone, the experience is yours alone, you might have a dozen spectators who love you, but your isolation, from birth to death, is never fully penetrated.”