“The sniper puts the cellist in his sights. Arrow is about to send a bullet into him, but stops. His finger isn't on the trigger...His hand isn't even in the vicinity of the trigger...His head leans back slightly, and she sees that his eyes are closed, that he is no longer looking through his scope. She knows what he's doing. It's very clear to her, unmistakable. He's listening to the music. And then Arrow knows why he didn't fire yesterday...She is at once, sure of two things. The first is that she does not want to kill this man, and the second is that she must. Time is running out. There's no reason not to kill him. A sniper of his ability has wihtout doubt killed dozens, if not hundreds. Not just soldiers. Women crossing streets. Children in playgrounds. Old men in water lines. She knows this to a certainity. Yet she doesn't want to pull her trigger. All because she can see that he doesn't want to pull his...The final notes of the cellist's melody reach him, and he smiles. ”

“She tries to move toward him, but the path is covered with gravel, which slows her down. Then he turns his head and sees her. He puts down his brush and comes closer, and the closer he comes, the closer he comes, the happier she is she didn't put on mascara, she doesn't want to cry but she can't help it, she can hardly see him through the welling tears. She quickly wipes her eyes. She looks at him. He's standing two steps away. She could stretch out her hand, he'd come even closer, she could touch him. He's the same, thinner, the most beautiful man in the world, with the eyes Germain Pire described to her, a very pale blue, almost gray, quiet and gentle, with something struggling in their depths, a child, a soul of agony. His voice hasn't changed.The first thing she hears him say--it's terrible--he asks her, "You can't walk?" She shakes her head. He sighs, goes back to his painting. She pushes the wheels, moves toward the shed. He looks over at her again, he smiles. "You want to see what I'm doing?" She nods her head. "I'll show you in a little bit," he says. "But not right now, it's not finished."So while she waits, she sits up straight in her scooter, she crosses her hands in her lap, she looks at him. Yes, she looks at him, she looks at him, life is long and can still carry a great deal more on its back.She looks at him.”

“The barking of the dogs was getting louder, closer once more. Jesse's finger curledaround the trigger. He tried to still his mind from all thoughts. But the image of MissAlthea lingered.Sweet-smelling Miss Althea with her warm smile and her so very round parts. She never looked at him mean or like she was afraid. She looked at him loving, warm and loving, like she looked at the boy. She looked at Jesse that way. And he liked it. He really liked it. But he wanted it different, too. He was not a boy. Jesse was a man. He wanted Miss Althea to see that. He wanted to put meat on her table. That's what men do for the women they love.”

“Gabriel pulled her over his body to lie on the bed beside him. His kisses pressed her down into the oblivion of the mattress as her hands explored his chest, his shoulders, his face."I want to lay my kill at your feet," he said, more growl than words, and held her tight by her hair as he marked her neck with his teeth.She writhed against him. She wanted to bite him, she wanted to rip the flesh from his back, but most terrible of all, she didn't want him to stop. Her back arched, her body shattered, she howled.”

“He clasped her fingers, not so she could pull him up but clearly because he wanted to touch them. She wanted it too, way too much, and then he stood there right in front of her, the abyss beside them, and she could smell his skin and his hair, and let go of his hand, even though she secretly wanted something quite different.”

“Death like a lover, caressing him, promising him peace, running its fingers through his hair, its tongue in his ear. She put her own two fingers in her mouth. Im so sorry. And pulled the trigger”