“The historian William Cronon explains that packing plants'distanced their customers most of all from the act of killing.... The more people became accustomed to the attractively cut, carefully wrapped, cunningly displayed packages that Swift had introduced to the trade, the more easily they could fail to remember that their purchase had once pulsed and breathed with a life much like their own.... As time went on, fewer of those who ate meat could say they had actually killed the animals themselves. In the packer's world, it was easy not to remember that eating meat was a moral act inextricably bound to killing. Such was the second nature that a corporate order had imposed on the American landscape. Forgetfulness was among the least noticed and most important of its by-products.”

“Between 6 and 8 percent of pigs die before they are trucked from the factory farm to slaughter. According to the U.S. Department of Agriculture, about 123 million pigs were slaughtered in 2006. That means 7 to 10 million died on their own before we could kill them.”

“Some animal rights activists are demanding vegetarianism, even veganism now, or nothing. But since only 4 or 5 percent of Americans claim to be vegetarians, 'nothing' is the far more likely outcome. I ask these activists to weigh the horrors of Bladen County's industrial farms and the Tar Heel slaughterhouse against the consequences of doing nothing to alleviate the hour-to-hour sufferings of its victims. Is not a life lived off the factory farm and a death humanely inflicted superior to the terrible lives we know they lead and the horrible deaths we know they suffer in Bladen County today?”

“Killing was a relatively simple matter--a blow to the head, a knife to the throat--complicated only by how much one cared about the pain or terrors animals felt in dying.... The animal also died a second death. Severed from the form in which it had lived, severed from the act that had killed it, it vanished from human memory as one of nature's creatures.”

“The world has far too much morality, at least in the sense of activity of people's moral instincts. If you look, and this become clear to me as I tried to identify the causes of violence at various scales throughout human history, from police blotters where the biggest motive for homicide is not just amoral predacious: a smuggler killing someone to steal his Rolex, the biggest categories of motives for homicide are moralistic in the eyes of the perpetrator, of the murderer, is capital punishment: killing someone who deserve to die because: whether is a spouse who's unfaithful or someone who distim him in an argument over a parking space or cheated him in a deal. That's why people kill each other: for moral reasons. That is true as large scales as well.If you'll look up at the largest episodes of bloodletting in human history most of them would have moralistic motives: the nazi Holocaust, Pol Pot, Stalin, the Gulag, Mao, the European war of religions, the Crusades, all of them were killing people for, not because they wanted to accumulate vast amounts of money, or huge harems of women, but because they thought they were acting out of a moral cause.”

“I was keenly conscious of the comrades-in-arms who had fallen with me. A bond surpassing by a hundredfold that which I had known in life bound me to them. I felt a sense of inexpressible relief and realized that I had feared, more than death, separation from them. I apprehended that excruciating war survivor's torment, the sense of isolation and self-betrayal experienced by those who had elected to cling yet to breath when their comrades had let loose their grip.”

“Arrow let the slow pulse of the vibrating strings flood into her. She felt the lament raise a lump in her throat, fought back tears. She inhaled sharp and fast. Her eyes watered, and the notes ascended the scale. The men on the hills, the men in the city, herself, none of them had the right to do the things they'd done. It had never happened. It could not have happened. But she knew these notes. They had become a part of her. They told her that everything had happened exactly as she knew it had, and that nothing could be done about it. No grief or rage or noble act could undo it. But it could all have been stopped. It was possible. The men on the hills didn't have to be murderers. Then men in the city didn't have to lower themselves to fight their attackers. She didn't have to be filled with hatred. The music demanded that she remember this, that she know to a certainity that the world still held the capacity for goodness. The notes were proof of that. ”