“The organist was almost at the end of the anthem’s long introduction, and as the crescendo increases the cathedral began to glitter before my eyes until I felt as if every stone in the building was vibrating in anticipation of the sweeping sword of sound from the Choir.The note exploded in our midst, and at that moment I knew our creator had touched not only me but all of us, just as Harriet had touched that sculpture with a loving hand long ago, and in that touch I sensed the indestructible fidelity, the indescribable devotion and the inexhaustible energy of the creator as he shaped his creation, bringing life out of dead matter, wresting form continually from chaos. Nothing was ever lost, Harriet had said, and nothing was ever wasted because always, when the work was finally completed, every article of the created process, seen or unseen, kept or discarded, broken or mended – EVERYTHING was justified, glorified and redeemed.”

“I was wondering if the scene in the drawing-room had been a triumph or a disaster or merely a chaotic piece of bad taste verging on bathos, but I reflected that the only important question was whether I had communicated my message to my parents. I continued to smoke my cigarette and occasionally I shuddered. I wondered dimly how anyone ever survived their families.”

“I, too, had set out to be remembered. I had wanted to create something permanent in my life- some proof that everything in its way mattered, that working hard mattered, that feeling things mattered, that even sadness and loss mattered, because it was all part of something that would live on. But I had also come to recognize that not everything needs to be durable. the lesson we have yet to learn from dogs, that could sustain us, is that having no apprehension of the past or future is not limiting but liberating. Rin Tin Tin did not need to be remembered in order to be happy; for him, it was always enough to have that instant when the sun was soft, when the ball was tossed and caught, when the beloved rubber doll was squeaked. Such a moment was complete in itself, pure and sufficient.”

“The winsome lilt of Digna humming in the garden. Her knowing, almost teasing look, not quite a smile, when she knew she had the upper hand about something, and his willing acquiescence. Her coaxing in the dark next to him - What was your favorite part of the day? - to which he'd always say, because he always thought it - now, touching you. He'd feel the lump of truth form in his throat, the swell of love in his loins. And afterward, the peace of her rhythmic breathing, steady as a Frisian clock, her simple uncomposed lullaby. Those are things he would, in some final, stretched-out moment, relive. How love builds itself unconsciously, he thought, out of the momentous ordinary.”

“He and I had a bridge that no one else traveled that made us artistic lovers, passionate without a touch of the flesh. He made me thrive, and valuing that, I could do nothing that would endanger it.”

“The taste of him exploded inside her mouth, filling her senses with an intoxicating warmth and aroma that had nothing to do with the amount of brandy he had consumed. He made sounds-rough, greedy, indistinct sounds that vibrated through her tissues, his lips and teeth and tongue consuming her with his passion.”

“Sarayu: “Mack, if anything matters than everything matters. Because you are important, everything you do is important. Every time you forgive, the universe changes; every time you reach out and touch a heart or a life, the world changes; with every kindness and service, seen or unseen, my purposes are accomplished and nothing will ever be the same again” (235).”