“The function of criticism should be to show how it is what it is, even that it is what it is, rather than to show what it means.”

“One criticizes in others what one recognizes and despises in oneself. For example, an artist who is revolted by another’s ambitiousness.”

“Photographs shock insofar as they show something novel.”

“To me, literature is a calling, even a kind of salvation. It connects me with an enterprise that is over 2,000 years old. What do we have from the past? Art and thought. That’s what lasts. That’s what continues to feed people and give them an idea of something better.”

“...what I write is smarter than I am. Because I can rewrite it.”

“Enemies are somewhere else, as the fighting is almost always “over there,” with Islamic fundamentalism now replacing Russian and Chinese communism as the implacable, furtive menace. And “terrorist” is a more flexible word than “communist.” It can unify a larger number of quite different struggles and interests. What this may mean is that the war will be endless---since there will always be some terrorism.”

“That we are not totally transformed, that we can turn away, turn the page, switch the channel, does not impugn the ethical value of an assault by images. It is not a defect that we are not seared, that we do not suffer enough, when we see these images. Neither is the photograph supposed to repair our ignorance about the history and causes of the suffering it picks out and frames. Such images cannot be more than an invitation to pay attention, to reflect, to learn, to examine the rationalizations for mass suffering offered by established powers. Who caused what the picture shows? Who is responsible? Is it excusable? Was it inevitable? Is there some state of affairs which we have accepted up to now that ought to be challenged? All this, with the understanding that moral indignation, like compassion, cannot dictate a course of action.”