“Now he knew . . . that there was nothing so vital as paying attention, and perfecting the humble offices of love.”

“The winsome lilt of Digna humming in the garden. Her knowing, almost teasing look, not quite a smile, when she knew she had the upper hand about something, and his willing acquiescence. Her coaxing in the dark next to him - What was your favorite part of the day? - to which he'd always say, because he always thought it - now, touching you. He'd feel the lump of truth form in his throat, the swell of love in his loins. And afterward, the peace of her rhythmic breathing, steady as a Frisian clock, her simple uncomposed lullaby. Those are things he would, in some final, stretched-out moment, relive. How love builds itself unconsciously, he thought, out of the momentous ordinary.”

“At this stage of life, he'd better just lean into love, because if he fell, he feared he might break a hip.”

“He and I had a bridge that no one else traveled that made us artistic lovers, passionate without a touch of the flesh. He made me thrive, and valuing that, I could do nothing that would endanger it.”

“How love builds itself unconsciously, he thought, out of the momentous ordinary.”

“That a thing made by hand, the work and thought of a single craftsman, can endure much longer than its maker, through centuries in fact, can survive natural catastrophe, neglect, and even mistreatment, has always filled me with wonder. Sometimes in museums, looking at a humble piece of pottery from ancient Persia or Pompeii, or a finely wrought page from a medieval illuminated manuscript toiled over by a nameless monk, or a primitive tool with a carved handle, I am moved to tears. The unknown life of the maker is evanescent in its brevity, but the work of his or her hands and heart remains.”

“If two people love the same thing, she reasoned, then they must love each other, at least a little, even if they never say it.”