“There's a line in The Barretts of Wimpole Street - you know, the play - where Elizabeth Barrett is trying to work out the meaning of one of Robert Browning's poems, and she shows it to him, and he reads it and he tells her when he wrote that poem, only God and Robert Browning knew what it meant, and now only God knows. And that's how I feel about studying English. Who knows what the writer was thinking, and why should it matter? I'd rather just read for enjoyment.”

“What do you mean, what's the matter with him? Nothing's the matter with him, everything's the matter with him, the same as it is with everybody else. He's just fine. He gets overwhelmed now and then, and he doesn't know how to say what he feels or means, so he cries and runs off a little, trying to find out where to go, for God's sake. Where can you go?”

“My brother wrote another refrigerator magnet poem, when he was probably nineteen or twenty: 'When the flood comes/ I will swim to a symphony/ go by boat to some picture show/ and maybe I will forget about you.' How did he know way, way back then? How is it I know only now?”

“The writer probably knows what he meant when he wrote a book, but he should immediately forget what he meant when he's written it.”

“He read the verses backwards but then they were not poetry. Then he read the flyleaf from the bottom to the top till he came to his own name. That was he: and he read down the page again. What was after the universe?Nothing. But was there anything round the universe to show where it stopped before the nothing place began?It could not be a wall; but there could be a thin thin line there all round everything. It was very big to think about everything and everywhere. Only God could do that. He tried to think what a big thought that must be; but he could only think of God. God was God's name just as his name was Stephen.”

“A writer discovers what he knows as he knows it, i.e., as he makes it. No artist writes in order to objectify an “idea” already formed. It is the poem or novel or story that quite precisely tells him what he didn't know he knew: he knows, that is, only in terms of his writing. This is, of course, simply another way of saying that literary composition is not the placing of a held idea into a waiting form.”