“It's like being home again, when they bring in the hopelessly mangled person from the mine explosion, or the woman in her third day of labor, or the famished child struggling against pneumonia and my mother and Prim, they wear that same look on their faces. Now is the times to run away tho the woods, to hide in the trees until the patient is long gone and in another part of the Seam the hammers make the coffin. But I'm held here both by the hovercraft walls and the same force that holds the loved ones of the dying. How often I've seen them, ringed around our kitchen table and I thought, Why don't they leave? Why do they stay to watch?And now I know. It's because you have no choice.”

“My baby is five. She falls asleep in my arms . . . . Her breath is warm on my face, all that is alive and warm and breathing inside of her now, falling upon me, and I can't capture it, hold it, this, her life now, me in this moment. She is leaving me, she's growing up and moving away from me, and she stirs and I sweep back the crop of the golden ringlets. Stay, Little One, stay. Love's a deep wound and what is a mother without a child and why can't I hold on to now forever and her here and me here and why does time snatch away a heart I don't think mine can beat without? Why do we all have to grow old? Why do we have to keep saying good-bye?”

“I've known time to stretch out like rings expanding outward over water; I've also known it to rush by with such force it leaves me dizzy. But until today I've never known it to do both at the same time. The minutes seem to swell around me, to stifle me with their sluggishness... At the same time. I'm terrified when I see how many hours have gone by... and even as each minute seems to take an hour, each hour seems to fly by in a minute.”

“When Jo's conservative sister Meg says she must turn up her hair now that she is a "young lady," Jo shouts, "I'm not! and if turning up my hair makes me one, I'll wear it in two tails till I'm twenty.... I hate to think I've got to grow up, and be Miss March, and wear long gowns, and look as prim as a China aster! It's bad enough to be a girl anyway, when I like boys' games and work and manners! I can't get over my disappointment in not being a boy; and it's worse than ever now, for I'm dying to go and fight with Papa, and I can only stay at home and knit, like a poky old woman.”

“Then welcome, you poor things! I'm so gald you're here! I never get to talk to anyone except when I'm working, and then I'm supposed to say things like, 'Woe is me' and 'Beware' and 'Uncle Rupert is going to die.' And then they look at me like I have two heads, which I don't because I'm not a troll , and they always say, 'Oh, no, the banshee is here!' Do you know how that makes me feel? Every time I show up, people run screaming and warn everybody else that I'm around. Believe me, I've thought about staying home and sleeping late, but I can't because I care about people. Without me to warn them, people would die unexpectedly, and then where would their relatives be? When I tell them, they have time to make arrangments, say good-bye...you know-important things. I'm actually a very nice person; it's just that no one gives me a chance to prove it.”

“No!" he cried and his face pinched with frustration and pain. "I don't want to hear more reasons why we shouldn't be together. No more confessions to explain why you want to run away from what we share." "Julian," she attempted to interrupt again, but he held up a trembling hand.His dark gaze held hers. "I have moved heaven and earth to bring you back to me. I refuse to let you leave again. You are mine and you shall be mine for the rest of my life. Not as my mistress, but as my wife. And if you don't say yes, I shall be forced to drag you into Hyde Park and make love to you in plain view of everyone. Then you will have to accept my proposal in order to save your reputation." His face softened. "I love you, Cecilia.”