“And then there’s its hair,” Justin said, pushing the vegetables across to me. “Don’t forget the hair. It’s horrible.”“It’s wearing a dead person’s hair,” Rafe informed me. “If you stick a pin in the doll, you can hear screaming coming from the graveyard. Try it.”“See what I mean?” Abby said, to me. “Wusses. It’s got real hair. Why he thinks it’s from a dead person—”“Because your poppet was made in about 1890 and I can do subtraction.”

“It’s easy to slide into believing you’re the hypnotist here, the mirage master, the smart cookie who knows what’s real and how all the tricks are done. The fact is you’re still just another slack-jawed mark in the audience. No matter how good you are, this world is always going to be better at this game. It’s more cunning than you are, it’s faster and it’s a whole lot more ruthless. All you can do is try to keep up, know your weak spots and never stop expecting the sucker punch.”

“One of the reasons I love Murder is that victims are, as a general rule, dead... I don't make a habit of sharing this, in case people take me fore a sicko or- worse-a wimp, but give me a dead child, any day, over a child sobbing his heart out while you make him tell you what the bad man did next. Dead victims don't show up outside HQ to beg for answers, you never have to nudge them into reliving every hideous moment, and you never have to worry, and you never have to worry about what it'll do to their lives if you fuck up. They stay put in the morgue, light-years beyond anything I can do right or wrong, and leave me free to focus on the people who sent them there.”

“There's a Spanish proverb," he said, "that's always fascinated me. "Take what you want and pay for it, says God.'" "I don't believe in God," Daniel said, "but that principle seems, to me, to have a divinity of its own; a kind of blazing purity. What could be simpler, or more crucial? You can have anything you want, as long as you accept that there is a price and that you will have to pay it.”

“Foreshadow, plot buster or red herring... only time will tell: P69 -- Cassie waited; in the evening light through the window her eyes looked huge, opaque and watchful. I knew she was giving me a chance to say, Fuck the hair clip, let’s forget we ever found it. Even now the temptation, tired and profitless though it may be, is to wonder what would have happened if I had.”

“If you, like me, are essentially a city person, then the chances are that when you imagine a wood you picture a simple thing: matching green trees in even rows, a soft carpet of dead leaves or pine needles, orderly as a child’s drawing. Possibly those earnestly efficient man-made woods are in fact like that; I wouldn’t know.”

“...the solitude was intoxicating. On my first night there I lay on my back on the sticky carpet for hours, in the murky orange pool of city glow coming through the window, smelling heady curry spices spiraling across the corridor and listening to two guys outside yelling at each other in Russian and someone practicing stormy flamboyant violin somewhere, and slowly realizing that there was not a single person in the world who could see me or ask me what I was doing or tell me to do anything else, and I felt as if at any moment the bedsit might detach itself from the buildings like a luminous soap bubble and drift off into the night, bobbing gently above the rooftops and the river and the stars.”