“As I closed the door I caught a last glimpse of her through the round window, still sitting straight-backed and motionless with her hands folded in her lap: a queen in a fairy tale, left alone in her tower to mourn her lost, witch-stolen princess.”

“For a moment I was dizzied by the impulse to leave her there: shove the techs' hands away, shout at hovering morgue men to get the hell out. We had taken enough toll on her. All she had left was her death and I wanted to leave her that, that at least. I wanted to wrap her up in soft blankets, stroke back her clotted hair, pull up a duvet of falling leaves and little animals' rustles. Leave her to sleep, sliding away forever down her secret underground river, while breathing seasons spun dandelion seeds and moon phases and snowflakes above her head. She had tried so hard to live.”

“This is the one thing I hope: that she never stopped. I hope when her body couldn't run any farther she left it behind like everything else that tried to hold her down, she floored the pedal and she went like wildfire, streamed down night freeways with both hands off the wheel and her head back screaming to the sky like a lynx, white lines and green lights whipping away into the dark, her tires inches off the ground and freedom crashing up her spine.”

“She was like a reprieve; like Eurydice, gifted back to Orpheus from the darkness for a brief miraculous moment. I wanted, so intensely it took my breath away, to reach out and lay a hand on her soft dark head, to pull her tightly against me and feel her slight and warm and breathing, as if by protecting her hard enough I could somehow undo time and protect Katy, too.”

“I think it was only in that moment I believed she was dead, this girl I had never seen alive. I'll never be free of her. I wear her face; as I get older it'll stay her changing mirror, the one glimpse of all the ages she never had. I lived her life, for a few strange bright weeks; her blood went into making me what I am, the same way it went to make the bluebells and the hawthorn tree. But when I had the chance to take that final step over the border, lie down with Daniel among the ivy leaves and the sound of water, let go of my own life with all its scars and all its wreckage and start new, I turned it down.”

“A girl gives her boyfriend an alibi for the evening when we suspect him of robbing a north-side Centra and stabbing the clerk. I flirt with her at first, telling her I can see why he would want to stay home when he's got her; she is peroxided and greasy, with flat, stunted features of generations of malnutrition, and privately I am thinking that if I were her boyfriend I would be relieved to trade her even for a hairy cellmate named Razor.”

“I didn't believe her, of course. The lie was transparent—it something that size, someone would have mentioned it during the door-to-door--and it went straight to my heart as no sonata ever could have; because I recognized it. That's my twin brother, his name's Peter, he's seven minutes older than me. . . . Children—it and Rosalind was little more—it don't tell pointless lies unless the reality is too much to bear.”