“I had learned early to assume something dark and lethal hidden at the heart of anything I loved. When I couldn't find it, I responded, bewildered and wary, in the only way I knew how: by planting it there myself.”

“I was a wrecked thing smeared over with dark finger marks and stuck with shards of nightmare, and I had no right there any more. I moved through my lost life like a ghost, trying not to touch anything with my bleeding hands, and dreamed of learning to sail in a warm place, Bermuda or Bondi, and telling people sweet soft lies about my past.”

“... I stayed because running seemed too strange and too complicated. All I knew was how to fall back, find a patch of solid ground, and then dig my heels in and fight to start over.”

“My friend Emma, who likes things to add up neatly, claims that this is because my parents died when I was too young to take it in: they were there one day and gone the next, crashing through that fence so hard and fast they left it splintered for good. When I was Lexie Madison for eight months she turned into a real person to me, a sister I lost or left behind on the way; a shadow somewhere inside me, like the shadows of vanishing twins that show up on people's X-rays once in a blue moon. Even before she came back to find me I knew I owed her something, for being the one who lived.”

“There was a time when I believed I was the redeemed one, the boy borne safely home on the ebb of whatever freak tide carried Peter and Jamie away. Not any more. In ways too dark and crucial to be called metaphorical, I never left that wood.”

“In ways too dark and crucial to be called metaphorical, I never left that wood.”

“This is not an easy thing to admit, but until that moment I had held out some craven speck of hope that this had all been a hideous misunderstanding. A boy who would say anything he thought you wanted to hear, a girl made vicious by trauma and grief and my rejection on top of it all; we could have misinterpreted in any one of a hundred ways. It was only in that moment, in the ease of that gratuitous lie, that I understood that Rosalind—the Rosalind I had known, the bruised, captivating, unpredictable girl with whom I had laughed in the Central and held hands on a bench—had never existed. Everything she had ever shown me had been constructed for effect, with the absorbed, calculating care that goes into an actor's costume. Underneath the myriad shimmering veils, this was something as simple and deadly as razor wire.”