“If you, like me, are essentially a city person, then the chances are that when you imagine a wood you picture a simple thing: matching green trees in even rows, a soft carpet of dead leaves or pine needles, orderly as a child’s drawing. Possibly those earnestly efficient man-made woods are in fact like that; I wouldn’t know.”

“I had started trying—it for the first time, really—it to remember what had happened in that wood. I prodded tentatively around the edges of it, barely acknowledging even to myself what I was doing, like a kid picking at a scab but afraid to look.”

“We lay side by side on the extension roof, hands behind our heads, elbows just touching. My head was still spinning a little, not unpleasantly, from the dancing and the wine. The breeze was warm across my face, and even through the city lights I could see constellations: the Big Dipper, Orion's Belt. The pine tree at the bottom of the garden rustled like the sea, ceaselessly. For a moment I felt as if the universe had turned upside down and we were falling softly into an enormous black bowl of stars and nocturne, and I knew, beyond any doubt, that everything was going to be all right.”

“Maybe she, like me, would have loved the tiny details and inconveniences even more dearly than the wonders, because they are the things that prove you belong.”

“And then there’s its hair,” Justin said, pushing the vegetables across to me. “Don’t forget the hair. It’s horrible.”“It’s wearing a dead person’s hair,” Rafe informed me. “If you stick a pin in the doll, you can hear screaming coming from the graveyard. Try it.”“See what I mean?” Abby said, to me. “Wusses. It’s got real hair. Why he thinks it’s from a dead person—”“Because your poppet was made in about 1890 and I can do subtraction.”

“One of the reasons I love Murder is that victims are, as a general rule, dead... I don't make a habit of sharing this, in case people take me fore a sicko or- worse-a wimp, but give me a dead child, any day, over a child sobbing his heart out while you make him tell you what the bad man did next. Dead victims don't show up outside HQ to beg for answers, you never have to nudge them into reliving every hideous moment, and you never have to worry, and you never have to worry about what it'll do to their lives if you fuck up. They stay put in the morgue, light-years beyond anything I can do right or wrong, and leave me free to focus on the people who sent them there.”

“In ways too dark and crucial to be called metaphorical, I never left that wood.”