“Rule Number Three, and Four and Five and about a dozen more: you do not go with the flow in this job. You make the flow go with you.”

Tana French

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Quote by Tana French: “Rule Number Three, and Four and Five and about a… - Image 1

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“Most people are only too delighted to wreck each other's heads. And for the tiny minority who do their pathetic best not to, this world is going to go right ahead and make sure they do it anyway.”


“One of the reasons I love Murder is that victims are, as a general rule, dead... I don't make a habit of sharing this, in case people take me fore a sicko or- worse-a wimp, but give me a dead child, any day, over a child sobbing his heart out while you make him tell you what the bad man did next. Dead victims don't show up outside HQ to beg for answers, you never have to nudge them into reliving every hideous moment, and you never have to worry, and you never have to worry about what it'll do to their lives if you fuck up. They stay put in the morgue, light-years beyond anything I can do right or wrong, and leave me free to focus on the people who sent them there.”


“It’s easy to slide into believing you’re the hypnotist here, the mirage master, the smart cookie who knows what’s real and how all the tricks are done. The fact is you’re still just another slack-jawed mark in the audience. No matter how good you are, this world is always going to be better at this game. It’s more cunning than you are, it’s faster and it’s a whole lot more ruthless. All you can do is try to keep up, know your weak spots and never stop expecting the sucker punch.”


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“We had no one else to learn this from- none of our parents were shining examples of relationship success- so we learned this from each other: when someone you love needs you to, you can get a hold of your five-alarm temper, get a hold of the shapeless things that scare you senseless, act like an adult instead of the Cro-Magnon teenager you are, you can do a million things you never saw coming.”


“Places are supposed to look smaller when you go back to them, but my road just looked schizoid. A couple of the houses had had nifty little makeovers involving double glazing and amusing faux-antique pastel paint; most of them hadn't. Number 16 looked like it was on its last legs: the roof was in tatters, there was a pile of bricks and a dead wheelbarrow by the front steps, and at some point in the last twenty years someone had set the door on fire. In Number 8, a window on the first floor was lit up, gold and cozy and dangerous as hell.”