“There was a time when I believed I was the redeemed one, the boy borne safely home on the ebb of whatever freak tide carried Peter and Jamie away. Not any more. In ways too dark and crucial to be called metaphorical, I never left that wood.”

Tana French
Time Neutral

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“In ways too dark and crucial to be called metaphorical, I never left that wood.”


“Sometimes I think about the sly, flickering line that separates being spared from being rejected. Sometimes I think of the ancient gods who demanded that their sacrifices be fearless and without blemish, and I wonder whether, whoever or whatever took Peter and Jamie away, it decided I wasn't good enough.”


“This is the one thing I hope: that she never stopped. I hope when her body couldn't run any farther she left it behind like everything else that tried to hold her down, she floored the pedal and she went like wildfire, streamed down night freeways with both hands off the wheel and her head back screaming to the sky like a lynx, white lines and green lights whipping away into the dark, her tires inches off the ground and freedom crashing up her spine.”


“My friend Emma, who likes things to add up neatly, claims that this is because my parents died when I was too young to take it in: they were there one day and gone the next, crashing through that fence so hard and fast they left it splintered for good. When I was Lexie Madison for eight months she turned into a real person to me, a sister I lost or left behind on the way; a shadow somewhere inside me, like the shadows of vanishing twins that show up on people's X-rays once in a blue moon. Even before she came back to find me I knew I owed her something, for being the one who lived.”


“I didn't believe her, of course. The lie was transparent—it something that size, someone would have mentioned it during the door-to-door--and it went straight to my heart as no sonata ever could have; because I recognized it. That's my twin brother, his name's Peter, he's seven minutes older than me. . . . Children—it and Rosalind was little more—it don't tell pointless lies unless the reality is too much to bear.”


“She was like a reprieve; like Eurydice, gifted back to Orpheus from the darkness for a brief miraculous moment. I wanted, so intensely it took my breath away, to reach out and lay a hand on her soft dark head, to pull her tightly against me and feel her slight and warm and breathing, as if by protecting her hard enough I could somehow undo time and protect Katy, too.”