“He clears his throat, "Have you considered he sees you as a girl at school? Not all girls are whole when you meet them. Sometimes you have to help them get there. Right now, you are a broken girl. That doesn’t mean that you'll always be broken. That doesn’t make you less of a girl." He clears his throat again, "I'll call the doc. She'll want to talk to you."The tears in my eyes don’t come out. They stay in there like tiny kaleidoscopes, trying to make the world the way I need it to be. My words don’t come right away either. I don’t hear the click on his end when I whisper, "I'm not broken." But he isn’t there. He never really is. He is the master of not being there.”

“I was going to say, No, no, don’t cry, I’ll go outwith you. Anything, but don’t cry. . . . But I stillcouldn’t make my voice work.And then he sort of cleared his throat and said,“Georgia, don’t feel bad. It’s always tough to hurt someone and tell them the truth. I know that. You’re a really lovely girl. Lovely . . . mad . . . butlovely. I’ll always like you. Don’t worry.”

“But what I don’t like — and what I don’t think either Seymour or Buddy would like, either, as a matter of fact — is the way you talk about all these people. I mean you don’t just despise what they represent — you despise them. It’s too damn personal, Franny. I mean it. You get a real little homicidal glint in your eye when you talk about this Tupper, for instance. All this business about his going into the men’s room to muss his hair before he comes in to class. All that. He probably does — it goes with everything else you’ve told me about him. I’m not saying it doesn’t. But it’s none of your business, buddy, what he does with his hair. It would be all right, in a way, if you thought his personal affectations were sort of funny. Or if you felt a tiny bit sorry for him for being insecure enough to give himself a little pathetic goddam glamour. But when you tell me about it — and I’m not fooling, now — you tell me about it as though his hair was a goddamn personal enemy of yours. That is not right — and you know it. If you’re going to to war against the System, just do your shooting like a nice, intelligent girl — because the enemy’s there, and not because you don’t like his hairdo or his goddam necktie.”

“I don't like girls in the daytime,' he said shortly, and then thinking this a bit abrupt, he added: 'But I like you.' He cleared his throat. 'I like you first and second and third.”

“He said: "I'm going to send you over. The chances are you'll get off with life. That means you'll be out again in twenty years. You're an angel. I'll wait for you." He cleared his throat. "If they hang you I'll always remember you.”

“He is totally dreamy Grace. You see that don’t you?” Sarah gave me more Caylie learned lingo. “Oh, don’t I know. I just don’t want anyone else dreaming about him.”“He’s far from ugly Grace. He’s gorgeous.” I gave her a glare. She kept on, “I will tell you this because you are my friend. He is so gorgeous every girl in this court has fantasized about him, including me. But you don’t see the way we see him look at you. The way he stops everything when you come in the room. They way his eyes pop when you speak the first time to him when you approach. It’s how he breathes too Grace. He seems to hold his breath until you are close enough for him to touch. He is completely and utterly in love with you girl.”