“I got out of the bathtub and put on a black low-cut dress with lace all over it sandly. I put on black high heels with pink metal stuff on the ends and six pairs of skull earrings. I couldn't fucking believe it. Then I looked out the window and screamed... Snap was spying on me and he was taking a video tape of me! And Loopin was masticating to it! They were sitting on their broomsticks.”
In this vivid and unconventional excerpt from Tara Gilesbie, we explore themes of self-expression, vulnerability, and the pervasiveness of surveillance in a modern context. The imagery created by the description of the dress, shoes, and accessories points to a character who is both confident and aware of her uniqueness, yet there is an immediate shift that introduces elements of anxiety and violation.
The opening line sets a festive mood as the character prepares for an occasion, highlighted by the striking choice of a "black low-cut dress with lace." The specific details of her outfit indicate a desire to be bold and statement-making. The mix of fashion elements—black attire complemented by "black high heels with pink metal stuff"—shows a playful juxtaposition of dark and vibrant aesthetics, suggesting a complex personality that revels in gothic and punk influences.
However, this celebratory moment becomes tainted when she realizes she is being spied upon. The sharp contrast between her self-assuredness in her appearance and the invasive action of Snap and Loopin creates a sense of dread. The act of "spying" not only highlights a sense of vulnerability but also raises questions about consent and the objectification of individuals. The phrase "masticating to it" further imbues the scene with a grotesque element, emphasizing the discomfort and the dehumanization of the character being watched.
The final detail of "sitting on their broomsticks" suggests that this spying is not just a mere prank but somehow entwined in a supernatural or fantastical environment, which combines both whimsy and menace. The broomsticks, often symbols of freedom in folklore, are turned into instruments of objectification here, indicating a subversion of typical fantasy tropes.
Overall, this excerpt encapsulates the duality of empowerment and vulnerability, forcing the reader to confront the implications of being observed and the loss of agency that comes with it. The blend of fashion, fantasy, and violation creates a compelling narrative moment that resonates with contemporary discussions on privacy and self-representation.
The quote captures a vivid and eclectic moment, blending elements of self-expression, invasion of privacy, and complex interpersonal dynamics. In today's digital landscape, the themes present in this excerpt resonate with contemporary issues surrounding identity, surveillance, and the impact of social media on personal life.
One key aspect of modern relevance is the emphasis on individuality and self-expression. Much like the character's bold choice of attire, many individuals today embrace unconventional styles to communicate their identities. The rise of platforms like Instagram and TikTok allows for a celebration of diverse fashion choices, fostering a sense of community among those who defy societal norms.
On the flip side, the invasion of privacy depicted in the quote reflects ongoing concerns about surveillance in the age of technology. With smartphones capable of capturing and sharing moments in real-time, the idea of being watched or recorded without consent is a pressing issue. This parallels current debates about consent and the ethics of sharing personal content online, especially when it involves millennial and Gen Z cultures.
Ultimately, Tara Gilesbie's narrative illustrates a moment that combines self-assertion with the potential perils of visibility in a hyper-connected world, making it strikingly relevant to contemporary discussions around individuality and privacy.
“Anyway I was in the school nurse’s office now recovering from my slit wrists. Snap and Loopin and HAHRID were there too. They were going to St. Mango’s after they recovered cause they were pedofiles and you can’t have those fucking pervs teaching in a school with lots of hot gurlz. Dumbledore had constipated the cideo camera they took of me naked. I put up my middle finger at them.”
“Snaketail what art thou doing?" called Voldemort. Then . . . he started coming! We could hear his high heels clacking to us. So we got on our broomsticks and we flew to Hogwarts. We went to my room. Vampire went away. There I started crying.”
“Yeah but everyone is in love with me! Like Snape and Loopin took a video of me naked. Hargrid says he’s in love with me. Vampire likes me and now even Snaketail is in love with me! I just wanna be with you ok Draco! Why couldn’t Satan have made me less beautiful?” I shouted angrily. (an” don’t wory enoby isn’t a snob or anyfing but a lot of ppl hav told her shes pretty) “Im good at too many things! WHY CAN’T I JUST BE NORMAL? IT’S A FUCKING CURSE!” I shouted and then I ran away.”
“Sudenly a gothic old man flu in on his broomstick. He had lung black hair and a looong black bread. He wus werring a blak robe dat sed 'avril lavigne' on da back. He shotted a spel and Vlodemort ran away. It was...DUMBLYDORE!”
“You fucking bustard!” yelled Draco at Vampire. “I want to shit next to her!”
“I went to some classes. Vampire was in the Hair of Magical Magic Creatures. He looked all depressed because Draco had disappeared and he had used to be in love with Draco. He was sucking some blood from a Hufflepuff.”