“The only tangible evidence of the enemy's existence so far was dead bodies, but strangely, the dead were somehow less, did not match the fear and terror they inspired, much like one could not imagine flight from the evidence of a dead bird on the ground.”
“She had broken, become something else. She didn't know what yet. Could you love someone in the process of changing? She did love Linh. As much as a ghost loved. The mind treacherous.”
“She consoled herself with the thought that the pictures were graphic enough to shake people up, stop them being complacent about what was happening, and if that meant the war would end sooner, those two deaths weren't in vain. As she hoped, with less and less confidence each day, that Michael's had not been in vain. Too much waste to bear.”
“Helen's Saigon had always been about selling - chickens, information, or lovely young women, it didn't matter. It had once been called the Pearl of the Orient, but by people who had not been there in a very long time. Saigon had never been Paris, but now it was a garrison town, unlovely, a stinking refugee shantyville filled with the angry, the betrayed, the dispossessed, but she had made it her home, and she couldn't bear that soon she would have to leave.”
“[They] believed that the worst way to die, was far from home. That one’s soul traveled the earth, lost forever. But this place was as much her home as [California]. She had lived out some of the most important parts of her life here – and if that didn’t qualify a place as home, what did?”
“No matter that they had been together for years, always a feeling of formality when they first saw each other again, even if the separation had been only hours. It had something to do with the attention [he] paid to her – the fact that he never took anyone’s return for granted.”