“Silver” is what I called girls who were natural beauties but who also smoothed on a layer of pretty from a jar. It wasn’t just how they looked, it was how they were. The name came from a song my mother sang sometimes when she was getting dressed to go out somewhere special. She sang along with Aretha Franklin at the end: “Sail on, silver girl… Your time has come to shine. All your dreams are on their way.”

“Sail on silver girl, sail on by...your time has come to shine all your dreams are on their way...see how they shine..oh and if you need a friend. I'm sailing right behind......”

“XII sang his name instead of song;Over and over I sang his name:Backward and forward I sang it along,With my sweetest notes, it was still the same!I sang it low, that the slave-girls nearMight never guess, from what they could hear,That all the song was a name.”

“You know what my friends and I used to call girls like you? Girls who had everything handed to them on a silver platter, who only cared about how they looked and who was dating the most popular guy?""What?"His grin grows wider. "We called you bitches. You girls were straight-up bitches.”

“That wasn’t Christian,” she says.“Brilliant observation, Mother.”“What happened?”“He’s in love with another girl,” I say, and pull the silver laurel out of my hair.”

“The witch approached it and pared its edges with a sword that she drew from her thigh. Then she sat down beside it on the earth and sang to it while it cooled. Not like the runes that enraged the flames was the song she sang to the sword: she whose curses had blasted the fire till it shrivelled big logs of oak crooned now a melody like a wind in summer blowing from wild wood gardens that no man tended, down valleys loved once by children, now lost to them but for dreams, a song of such memories as lurk and hide along the edges of oblivion, now flashing from beautiful years of glimpse of some golden moment, now passing swiftly out of remembrance again, to go back to the shades of oblivion, and leaving on the mind those faintest traces of little shining feet which when dimly perceived by us are called regrets. She sang of old Summer noons in the time of harebells: she sang on that high dark heath a song that seemed so full of mornings and evenings preserved with all their dews by her magical craft from days that had else been lost, that Alveric wondered of each small wandering wing, that her fire had lured from the dusk, if this were the ghost of some day lost to man, called up by the force of her song from times that were fairer.”