“Nobody wanted your dance,Nobody wanted your strange glitter, your flounderingDrowning life and your effort to save yourself,Treading water, dancing the dark turmoil,Looking for something to give.”

“I had let it all grow. I had supposed It was all OK. Your lifeWas a liner I voyaged in.Costly education had fitted you out.Financiers and committees and consultantsEffaced themselves in the gleam of your finish.You trembled with the new life of those engines.That first morning,Before your first class at College, you sat thereSipping coffee. Now I know, as I did not,What eyes waited at the back of the classTo check your first professional performanceAgainst their expectations. What assessorsWaited to see you justify the costAnd redeem their gamble. What a furnaceOf eyes waited to prove your metal. I watchedThe strange dummy stiffness, the misery,Of your blue flannel suit, its straitjacket, uglyHalf-approximation to your ideaOf the properties you hoped to ease into,And your horror in it. And the tannedAlmost green undertinge of your faceShrunk to its wick, your scar lumpish, your plaitedHead pathetically tiny.You waited,Knowing yourself helpless in the tweezersOf the life that judges you, and I sawThe flayed nerve, the unhealable face-woundWhich was all you had for courage.I saw that what you gripped, as you sipped,Were terrors that killed you once already.Now I see, I saw, sitting, the lonelyGirl who was going to die.That blue suit.A mad, execution uniform,Survived your sentence. But then I sat, stilled,Unable to fathom what stilled youAs I looked at you, as I am stilledPermanently now, permanentlyBending so briefly at your open coffin.”

“Nothing is free. Everything has to be paid for. For every profit in one thing, payment in some other thing. For every life, a death. Even your music, of which we have heard so much, that had to be paid for. Your wife was the payment for your music. Hell is now satisfied.”

“What’s writing really about? It’s about trying to take fuller possession of the reality of your life.”

“Do as you like with me. I'm your parcel. I have only our address on me. Open me, or readdress me.”

“You could become internationally famous - you're Gemini, and according to antique authority have a literary talent, which of course your letters prove.”

“Because it is occasionally possible, just for brief moments, to find the words that will unlock the doors of all those many mansions inside the head and express something - perhaps not much, just something - of the crush of information that presses in on us from the way a crow flies over and the way a man walks and the look of a street and from what we did one day a dozen years ago. Words that will express something of the deep complexity that makes us precisely the way we are, from the momentary effect of the barometer to the force that created men distinct from trees. Something of the inaudible music that moves us along in our bodies from moment to moment like water in a river. Something of the spirit of the snowflake in the water of the river. Something of the duplicity and the relativity and the merely fleeting quality of all this. Something of the almighty importance of it and something of the utter meaninglessness. And when words can manage something of this, and manage it in a moment, of time, and in that same moment, make out of it all the vital signature of a human being - not of an atom, or of a geometrical diagram, or of a heap of lenses - but a human being, we call it poetry.”