“The inmost spirit of poetry, in other words, is at bottom, in every recorded case, the voice of pain – and the physical body, so to speak, of poetry, is the treatment by which the poet tries to reconcile that pain with the world.”

“I think it was Milosz, the Polish poet, who when he lay in a doorway and watched the bullets lifting the cobbles out of the street beside him realised that most poetry is not equipped for life in a world where people actually die. But some is.”

“Because it is occasionally possible, just for brief moments, to find the words that will unlock the doors of all those many mansions inside the head and express something - perhaps not much, just something - of the crush of information that presses in on us from the way a crow flies over and the way a man walks and the look of a street and from what we did one day a dozen years ago. Words that will express something of the deep complexity that makes us precisely the way we are, from the momentary effect of the barometer to the force that created men distinct from trees. Something of the inaudible music that moves us along in our bodies from moment to moment like water in a river. Something of the spirit of the snowflake in the water of the river. Something of the duplicity and the relativity and the merely fleeting quality of all this. Something of the almighty importance of it and something of the utter meaninglessness. And when words can manage something of this, and manage it in a moment, of time, and in that same moment, make out of it all the vital signature of a human being - not of an atom, or of a geometrical diagram, or of a heap of lenses - but a human being, we call it poetry.”

“Nothing is free. Everything has to be paid for. For every profit in one thing, payment in some other thing. For every life, a death. Even your music, of which we have heard so much, that had to be paid for. Your wife was the payment for your music. Hell is now satisfied.”

“You solve it as you get older, when you reach the point where you've tasted so much that you can somehow sacrifice certain things more easily, and you have a more tolerant view of things like possessiveness (your own) and a broader acceptance of the pains and the losses.”

“Haven’t you heard of the music of the spheres?” asked the dragon. “It’s the music that space makes to itself. All the spirits inside all the stars are singing. I’m a star spirit. I sing too. The music of the spheres is what makes space so peaceful.”

“The Other"She had too much so with a smile you took some.Of everything she had you hadAbsolutely nothing, so you took some.At first, just a little.Still she had so much she made you feelYour vacuum, which nature abhorred,So you took your fill, for nature's sake.Because her great luck made you feel unluckyYou had redressed the balance, which meantNow you had some too, for yourself.As seemed only fair. Still her ambitionClaimed the natural right to screw you up Like a crossed out page, lossed into a basket.Somebody, on behalf of the gods,Had to correct that hubris.A little touch of hatred steadied the nerves.Everything she had won, the happiness of it,You collectedAs your compensationFor having lost. Which left her absolutely Nothing. Even her life wasTrapped in the heap you took. She had nothing.Too late you saw what had happened.It made no difference that she was dead.Now that you had all she had ever hadYou had much too much. Only you Saw her smile, as she took some.At first, just a little.”