“But nothing happened there now of a nature to provoke a disturbance. There were no complaints to the management or the police, and the dark glory of the upper galleries was a legend in such memories as that of the late Emiel Kroger and the present Pablo Gonzales, and one by one, of course, those memories died out and the legend died out with them. Places like the Joy Rio and the legends about them make one more than usually aware of the short bloom and the long fading out of things. ("The Mysteries of the Joy Rio")”
“The scene is memory and is therefore nonrealistic. Memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart.”
“But here there was only hot swing music and liquor, dance halls, ban, and movies, and sex that hung in the gloom like a chandelier and flooded the world with brief, deceptive rainbows.”
“Has it ever struck you that life is all memory, except for the one present moment that goes by you so quick you hardly catch it going?”
“When so many are lonely as seem to be lonely, it would be inexcusably selfish to be lonely alone.”
“The cities swept about me like dead leaves, leaves that were brightly colored but torn away from the branches. I would have stopped, but I was pursued by something. It always came upon me unawares, taking me altogether by surprise. Perhaps it was a familiar bit of music. Perhaps it was only a piece of transparent glass.”