“Are we talking hell hounds and flames here?" Des asked, pacing at the end of our beds.I repeated the question and gave a heaving sigh of relief when Jameson said I had the wrong idea."He's going to 'lead us into temptation.'""That doesn't sound so bad," Des said with a cheeky grin.”

“I didn't want to go to hell, but even the idea of reclaining my halo scared me because it would mean leaving Aly.”

“We could use all the blessings we could get. The impact of what we were about to do hit me like an anvil on Wile E. Coyote's head. We were heading out to stop Satan's son and save the world from certain destruction. Piece of cake.”

“My heart battered against my ribs, my breath stalled and I gazed up into his laughing, smiling eyes...eyes that suddently glowed crimson and cruel.”

“We need to have an escape plan."""I'll shoot him," Bradley offered helpfully."He has your gun,"Mary replied. "Oh, then that won't work."Mary sighed. Somehow she didn't think that Bradley's warrior-police guy was coming back anytime soon. "So, how do your legs feel?" she asked. She felt a large hand squeeze her thigh. "Bradley, that was my leg.""Oh, sorry, but what a relief, I thought I had lost feeling in my legs.”

“Some years ago, I read an article about two people in the arts (alas, I can’t remember who they were) who’d been married for many, many years. Asked for the secret of their long partnership, they said: “We fell straight into conversation when we met, and we haven’t come to the end of that conversation yet.”I can’t think of a better model for marriage than that. Or of a narrative more romantic . . . .”

“The French fairy tale writers were so popular and prolific that when their stories were eventually collected in the 18th century, they filled forty–one volumes of a massive publication called the Cabinet des Fées. Charles Perrault is the French fairy tale writer whom history has singled out for attention, but the majority of tales in the Cabinet des Fées were penned by women writers who ran and attended the leading salons: Marie–Catherine d’Aulnoy, Henriette Julie de Murat, Marie–Jeanne L'Héritier, and numerous others. These were educated women with an unusual degree of social and artistic independence, and within their use of the fairy tale form one can find distinctly subversive, even feminist subtext.”