“A poem is a fictional, verbally inventive moral statement in which it is the author, rather than the printer or word processor, who decides where the lines should end. This dreary-sounding definition, unpoetic to a fault, may well turn out to be the best we can do.”

“The distemper of which, as a community, we are sick, should be considered rather as a moral than a political malady.”

“A poetic form is essentially a codified pattern of silence. We have a little silence at the end of a line, a bigger one at the end of a stanza, and a huge one at the end of the poem. The semantic weight of the poem tends to naturally distribute itself according to that pattern of silence, paying especial care to the sounds and meanings of the words and phrases that resonate into the little empty acoustic of the line-ending, or the connecting hallway of stanza-break, or the big church of the poem's end.”

“The intangible, as you can guess, creates some decidedly strange and perceived dichotomies for scientific interpretations. Ask a scientist what the definition of electricity is and he might rattle off, “It is the physical phenomena arising from the reaction of electrons and protons…” Note the word “…phenomena…” in the above statement - it is the key word. It is used as a reference in the philosophical usage rather than as a scientific justification.”

“The capacity for imaginative reflex, for moral risk in any human being is not limitless; on the contrary, it can be rapidly absorbed by fictions, and thus the cry in the poem may come to sound louder, more urgent, more real than the cry in the street outside. The death in the novel may move us more potently than the death in the next room. Thus there may be a covert, betraying link between the cultivation of aesthetic response and the potential of personal inhumanity.”

“Poem in other words may or may not result from inspiration but must (in reader and author alike) produce it--”