“Successful revolutions are those which end up by erasing all traces of themselves.”

“Critics do not have the satisfaction of working on things that actually exist, like sick dogs or dental cavities. So they are tempted to pluck a virtue out of necessity and claim that they toil in an altogether superior realm, that of the imagination. This implies, rather oddly, that things which do not exist are inevitably more precious than those that do, which is a fairly devastating comment on the latter. What kind of a world is it in which possibility is unquestionably preferable to actuality?”

“The New Testament is a brutal destroyer of human illusions. If you follow Jesus and don't end up dead, it appears you have some explaining to do. The stark signifier of the human condition is one who spoke up for love and justice and was done to death for his pains. The traumatic truth of human history is a mutilated body.”

“A poem is a fictional, verbally inventive moral statement in which it is the author, rather than the printer or word processor, who decides where the lines should end. This dreary-sounding definition, unpoetic to a fault, may well turn out to be the best we can do.”

“Modern poets like Frost still want to make 'deep' statements; but they are also more sceptical of such high-sounding generalities than many of their forebears. So, rather like T.S. Eliot's The Waste Land, they gesture enigmatically to such profundities while at the same time being nervous of committing themselves to them.”

“Literary' feelings are responses to poems, not just states of emotion which occur in their presence.”

“Christian faith, as I understand it, is not primarily a matter of signing on for the proposition that there exists a Supreme Being, but the kind of commitment made manifest by a human being at the end of his tether, foundering in darkness, pain, and bewilderment, who nevertheless remains faithful to the promise of a transformative love.”