“What really alarms me about President Bush's 'War on Terrorism' is the grammar. How do you wage war on an abstract noun? How is 'Terrorism' going to surrender? It's well known, in philological circles, that it's very hard for abstract nouns to surrender.”

“Violence is not just an abstract noun.....its a way of life.”

“How can you have a war on terrorism when war itself is terrorism?”

“The fact that war is the word we use for almost everything—on terrorism, drugs, even poverty—has certainly helped to desensitize us to its invocation; if we wage wars on everything, how bad can they be?”

“Esk wouldn't have known what a collective noun was if it had spat in her eye, but she knew there was a herd of goats and a coven of witches.”

“In any case, it is a mistake to equate concreteness with things. An individual object is the unique phenomenon it is because it is caught up in a mesh of relations with other objects. It is this web of relations and interactions, if you like, which is 'concrete', while the object considered in isolation is purely abstract. In his Grundrisse, Karl Marx sees the abstract not as a lofty, esoteric notion, but as a kind of rough sketch of a thing. The notion of money, for example, is abstract because it is no more than a bare, preliminary outline of the actual reality. It is only when we reinsert the idea of money into its complex social context, examining its relations to commodities, exchange, production and the like, that we can construct a 'concrete' concept of it, one which is adequate to its manifold substance. The Anglo-Saxon empiricist tradition, by contrast, makes the mistake of supposing that the concrete is simple and the abstract is complex. In a similar way, a poem for Yury Lotman is concrete precisely because it is the product of many interacting systems. Like Imagist poetry, you can suppress a number of these systems (grammar, syntax, metre and so on) to leave the imagery standing proudly alone; but this is actually an abstraction of the imagery from its context, not the concretion it appears to be. In modern poetics, the word 'concrete' has done far more harm than good.”

“Little Bush says we are at war, but we are not at war because to beat war Congress has to vote for it. He says we are at war on terror,but that is a metaphor, though I doubt if he knows what that means.It's like having a war on dandruff, it's endless and pointless.”