“He could quite quickly become detached from the nuances of common human emotion. Particularly if he was engaged in some aspect of a scientific problem or research. His work excluded any consideration for the feelings of those around him. And he rarely excused himself or justified his behavior. It was as if he was compelled to focus all his energy on one subject and was unaware that others did not follow his obsession.”

“The man who works recognizes his own product in the world that has actually been transformed by his work. He recognizes himself in it, he sees his own human reality in it he discovers and reveals to others the objective reality of his humanity of the originally abstract and purely subjective idea he has of himself”

“...the law of empathy, by which he could, by his will, transfer himself into an object or a work of art, and thus inflence the outer world. He did not feel redeemed by the work he did. He did not seek redemption. He sought to see what others did not, the projection of his imagination.”

“The chief reason why the prince was so particularly disagreeable to Vronsky was that he could not help seeing himself in him. And what he saw in this mirror did not gratify his self-esteem. He was a very stupid and very self-satisfied and very healthy and very well-washed man, and nothing else... He was equable and not cringing with his superiors, was free and ingratiating in his behavior with his equals, and was contemptuously indulgent with his inferiors... for this prince he was an inferior, and his contemptuous and indulgent attitude to him revolted him.”

“What is it they want from a man that they didn't get from his work? What do they expect? What is there left of him when he's done his work? What's any artist, but the dregs of his work? the human shambles that follows it around. What's left of the man when the work's done but a shambles of apology.”

“Thus he spent his whole life searching for his own truth, but it remained hidden to him because he had learned at a very young age to hate himself for what his mother had done to him. (...) But not once did he allow himself to direct his endless, justified rage at the true culprit, the woman who had kept him locked up in her prison for as long as she could. All his life he attempted to free himself of that prison, with the help of drugs, travel, illusions, and above all poetry. But in all these desperate efforts to open the doors that would have led to liberation, one of them remained obstinently shut, the most important one: the door to the emotional reality of his childhood, to the feelings of the little child who was forced to grow up with a severely disturbed, malevolent woman, with no father to protect him from her.”