“he saw in Populism the first glimmerings of some of the great intellectual upheavals of the twentieth century—naturalism, muckraking, and hard-hitting social satire—which would eventually topple the genteel tradition of the nineteenth century. In a peculiar way, Parrington seemed to think, Kansas was one of the birthplaces of literary modernism.”

“In 1991, though, began an uprising that would propel those reptilian Republicans from a tiny splinter group into the state’s dominant political faction, that would reduce Kansas Democrats to third-party status, and that would wreck what remained of the state’s progressive legacy. We are accustomed to thinking of the backlash as a phenomenon of the seventies (the busing riots, the tax revolt) or the eighties (the Reagan revolution); in Kansas the great move to the right was a story of the nineties, a story of the present.”

“The first phase of modernism, which so far as the English language goes we associate with Pound and Yeats, Wyndham Lewis and Eliot and Joyce, was clerkly enough, sceptical in many ways; and yet we can without difficulty convict most of these authors of dangerous lapses into mythical thinking. All were men of critical temper, haters of the decadence of the times and the myths of mauvaise foi. All, in different ways, venerated tradition and had programmes which were at once modern and anti-schismatic. This critical temper was admittedly made to seem consistent with a strong feeling for renovation; the mood was eschatological, but scepticism and a refined traditionalism held in check what threatened to be a bad case of literary primitivism. It was elsewhere that the myths ran riot.”

“But such people (Moderate Conservatives) aren't liberal. What they are is corporate. Their habits and opinions owe far more to the standards of courtesy and taste that prevail within the white-collar world than they do to Franklin Roosevelt and the United Mine Workers. We live in a time, after all, when hard-nosed bosses compose awestruck disquisitions on the nature of 'change,' punk rockers dispense leadership secrets, shallow profundities about authenticity sell luxury cars, tech billionaires build rock'n'roll musuems, management theorists ponder the nature of coolness, and a former lyricist fro the Grateful Dead hail the dawn of New Economy capitalism from the heights of Davos. Coversvatives may not understand why, but business culture had melded with counterculture for reasons having a great deal to do with business culture's usual priority - profit.”

“Because it is written by a nineteenth-century American, and because of its closeness to the twentieth century, The Portrait of a Lady foregoes Victorian affirmations. The price it pays, however (together with several twentieth-century novels) is that it eventually leaves the reader, along with its heroine, 'en Vair' amid its self-reflections.”

“Corruption is uniquely reprehensible in a democracy because it violates the system's first principle, which we all learned back in the sunshiny days of elementary school: that the government exist to serve the public, not particular companies or individuals or even elected officials. ”

“We’re all free agents in this noncoercive class system, and Brooks eventually concludes that worrying about the problems faced by workers is yet another deluded affectation of the blue-state rich.”