“Despite all their flaws, zoos wake us up. They invite us to step outside our most basic assumptions. Offered for our contemplation, the animals remind us of nature’s impossibly varied schemes for survival, all the strategies that species rely upon for courtship and mating and protecting the young and establishing dominance and hunting for something to eat and avoiding being eaten. On a good day, zoos shake people into recognizing the manifold possibilities of existence, what it’s like to walk across the Earth, or swim in its oceans of fly above its forests—even though most animals on display will never have the chance to do any of those things again, at least not in the wild.”

“All zoos, even the most enlightened, are built upon the idea both beguiling and repellent—the notion that we can seek out the wildness of the world and behold its beauty, but that we must first contain that wildness. Zoos argue that they are fighting for the conservation of the Earth, that they educate the public and provide refuge and support for vanishing species. And they are right. Animal-rights groups argue that zoos traffic in living creatures, exploiting them for financial gain and amusement. And they are right. Caught inside this contradiction are the animals themselves, and the humans charged with their well-being.”

“Taken together, the narratives of how the animals ended up at Lowry Park revealed as much about Homo sapiens as they revealed about the animals themselves. The precise details—how and where each was born, how they were separated from their mothers and taken into custody, all they had witnessed and experienced on their way to becoming the property of this particular zoo—could have filled an encyclopedia with insights into human behavior and psychology, human geopolitics and history and commerce. Lowry Park’s very existence declared our presumption of supremacy, the ancient belief that we have been granted dominion over other creatures and have the right to do with them as we please. The zoo was a living catalogue of our fears and obsessions, the ways we see animals and see ourselves, all the things we prefer not to see at all. Every corner of the grounds revealed our appetite for amusement and diversion, no matter what the cost. Our longing for the wildness we have lost inside ourselves. Our instinct to both exalt nature and control it. Our deepest wish to love and protect other species even as we scorch their forests and poison their rivers and shove them toward oblivion.All of it was on display in the garden of captives.”

“This is my manifesto. My attempt to nudge people toward something, or back toward something. Toward what? An understanding that most of us already have on a deeper level. That a world exists outside of us. A world that reminds us that we are animals, too, animals who have evolved along with other animals on this earth. Thinking, planning, scheming, talking, writing animals, but animals nonetheless.”

“Mkhaya's herd is a good-sized group - sixteen in all, counting the calves - and even though they are the largest land mammals on earth, they are not always easy to find. Elephants, it runs out, are surprisingly stealthy.”

“...and our footsteps rang and echoed till it sounded like the room was full of dancers, the house calling up all the people who had danced here across centuries of spring evenings, gallant girls seeing gallant boys off to war, old men and women straight-backed while outside their world disintegrated and the new one battered at their doors, all of them bruised and all of them laughing, welcoming us into their long lineage.”

“Easy. They just let us forget. Give us too much to process, fill up every minute, keep us distracted, it's what the Tube is for, and though it kills me to say it, it's what rock and roll is becoming - just another way to claim our attention, so that beautiful certainty we had starts to fade, and after a while they have us convinced all over again that we really are going to die. And they've got us again.”