“He looked at the daylight shadows of a yellow hue, dancing with the firelight shadows in blue on the whitewashed chimney corner, but there was nothing in shadows.”

“When yellow lights struggle with blue shades in hairlike lines.”

“Each pedestrian could see no halo but his or her own, which never deserted the head-shadow, whatever its vulgar unsteadiness might be; but adhered to it, and persistently beautified it; till the erratic motions seemed an inherent part of the irradiation, and the fumes of their breathing a component of the night's mist; and the spirit of the scene, and of the moonlight, and of Nature, seemed harmoniously to mingle with the spirit of wine.”

“The atmosphere beneath is languorous, and is so tinged with azure that what artists call the middle distance partakes also of that hue, while the horizon beyond is of the deepest ultramarine.”

“The intentions as to reading, working, and learning, which he had so precisely formulated only a few minutes earlier, were suffering a curious collapse into a corner, he knew not how.”

“Suddenly an unexpected series of sounds began to be heard in this place up against the starry sky. They were the notes of Oak´s flute. It came from the direction of a small dark object under the hedge - a shephard´s hut - now presenting an outline to which an unintiated person might have been puzzled to attach either meaning or use. ... Being a man not without a frequent consciousness that there was some charm in this life he led, he stood still after looking at the sky as a useful instrument, and regarded it in an appreciative spirit, as a work of art superlatively beautiful. For a moment he seemed impressed with the speaking loneliness of the scene, or rather with the complete abstraction from all its compass of the sights and sounds of man. ... Oak´s motions, though they had a quiet energy, were slow, and their deliberateness accorded well with his occupation. Fitness being the basis of beauty, nobody could have denied tha his steady swings and turns in and about the flock had elements of grace. His special power, morally, physically, and mentally, was static. ... Oak was an intensely human man: indee, his humanity tore in pieces any politic intentions of his which bordered on strategy, and carried him on as by gravitation. A shadow in his life had always been that his flock should end in mutton - that a day could find a shepherd an arrant traitor to his gentle sheep.”

“As soon as she could discern the outline of the house, it had all its old effect upon Tess's imagination. Part of her body and life it ever seemed to be; the slope of its dormers, the finish of its gables, the broken courses of brick which topped the chimney, all had something in common with her personal character.”