“and men of science,' cries dixon, 'may be but the simple tools of others, with no more idea of what they are about, than a hammer knows of a house.”

“Yet is Dixon certain, as certain as the lightness he feels now, lightness premonitory of Flying, that far worse happen’d here, to these poor People, as the blood flew and the Children cried, - that at the end no one understood what they said as they died.”

“She may know a little, may think of herself, face and body, as ‘pretty’… but he could never tell her all the rest, how many other living things, birds, nights smelling of grass and rain, sunlit moments of simple peace, also gather in what she is to him.”

“In the trenches of the First World War, English men came to love one another decently, without shame or make-believe, under the easy likelihoods of their sudden deaths, and to find in the faces of other young men evidence of otherworldly visits, some poor hope that may have helped redeem even mud, shit, the decaying pieces of human meat... It was the end of the world, it was total revolution (though not quite in the way Walter Rathenau had announced): every day thousands of the aristocracy new and old, still haloed in their ideas of right and wrong, went to the loud guillotine of Flanders, run day in and out, on and on, by no visible hands, certainly not those of the people - an English class was being decimated, the ones who'd volunteered were dying for those who'd known something and hadn't, and despite it all, despite knowing, some of them, of the betrayal, while Europe died meanly in its own wastes, men loved. But the life-cry of that love has long since hissed away into no more than this idle and bitchy faggotry. In this latest War, death was no enemy, but a collaborator. Homosexuality in high places is just a carnal afterthought now, and the real and only fucking is done on paper...”

“Nothing he had brought to it of his nearest comparison, Raby with its thatch'd and benevolent romance of serfdom, had at all prepar'd him for the iron Criminality of the Cape,-- the publick Executions and Whippings, the open'd flesh, the welling blood, the beefy contented faces of those whites.... Yet is Dixon certain, as certain as the lightness he feels now, lightness premonitory of Flying, that far worse happen'd here, to these poor People, as the blood flew and the Children cried,-- that at the end no one understood what they said as they died.”

“Well, and keep in mind where those Masonic Mysteries came from in the first place. (Check out Ishmael Reed. He knows more about it than you’ll ever find here.)”

“Everybody gets told to write about what they know. The trouble with many of us is that at the earlier stages of life we think we know everything- or to put it more usefully, we are often unaware of the scope and structure of our ignorance.”