“The nights are filled with explosion and motor transport, and wind that brings them up over the downs a last smack of the sea. Day begins with a hot cup and a cigarette over a little table with a weak leg that Roger has repaired, provisionally, with brown twine. There's never much talk but touches and looks, smiles together, curses for parting. It is marginal, hungry, chilly - most times they're too paranoid to risk a fire - but it's something they want to keep, so much that to keep it they will take on more than propaganda has ever asked them for. They are in love. Fuck the war.”

“How's it going down there?""It's weird. They're too polite, they talk funny, and stuff has too much shine on it. But the coffee's worse than Central's, so that's something.”

“So keep your head high, keep your chin up, and most importantly, keep smiling, because life's a beautiful thing and there's so much to smile about.”

“It's a curse - this not wanting to look on naked realities. Until the war, life was never more real to me than a shadow show on a curtain. And I preferred it so. I do not like the outlines of things to be too sharp. I like them gently blurred, a little hazy.”

“And ask each passenger to tell his story, and if there is one of them all who has not cursed his existence many times, and said to himself over and over again that he was the most miserable of men, I give you permission to throw me head-first into the sea.”

“When everyone you loved in your life is gone, you have days when the wind comes into your house like a person. You get so alone the wind sits down at your table and tries to have itself a cup of coffee, but it can't, there's no time, it has to move on, it's the wind. I'm not saying the wind is a ghost, only that the feeling is of the wind, the whole notion of the wind, is different when all people you ever loved are gone. It's not fresh air blowing through your hair and airing out your sheets and kitchen. No, sir. It's company. The wind is company that has to go”