“You are off on a winding and difficult road, which you conceive to be wide and straight, an Autobahn you can travel at your ease. Is it any use for me to tell you that all you believe real is illusion? I don't know whether you'll listen, or ignore it. You only want to know about your path, your Autobahn.”

“Man, I want to die, is all," cried Ploy."Don't you know," said Dahoud, "that life is the most precious possession you have?”

“Everybody who says the same words is the same person if the spectra are the same only they happen differently in time, you dig? But the time is arbitrary. You pick your zero point anywhere you want, that way you can shuffle each person’s time line sideways till they all coincide.”

“Young Tchitcherine was the one who brought up political narcotics. Opiates of the people.Wimpe smiled back. An old, old smile to chill even the living fire in Earth’s core. "Marxist dialectics? That’s not an opiate, eh?""It’s the antidote.""No." It can go either way. The dope salesman may know everything that’s ever going to happen to Tchitcherine, and decide it’s no use—or, out of the moment’s velleity, lay it right out for the young fool."The basic problem," he proposes, "has always been getting other people to die for you. What’s worth enough for a man to give up his life? That’s where religion had the edge, for centuries. Religion was always about death. It was used not as an opiate so much as a technique—it got people to die for one particular set of beliefs about death. Perverse, natürlich, but who are you to judge? It was a good pitch while it worked. But ever since it became impossible to die for death, we have had a secular version—yours. Die to help History grow to its predestined shape. Die knowing your act will bring will bring a good end a bit closer. Revolutionary suicide, fine. But look: if History’s changes are inevitable, why not not die? Vaslav? If it’s going to happen anyway, what does it matter?""But you haven’t ever had the choice to make, have you.""If I ever did, you can be sure—""You don’t know. Not till you’re there, Wimpe. You can’t say.""That doesn’t sound very dialectical.""I don’t know what it is.""Then, right up to the point of decision," Wimpe curious but careful, "a man could still be perfectly pure . . .""He could be anything. I don’t care. But he’s only real at the points of decision. The time between doesn’t matter.""Real to a Marxist.""No. Real to himself."Wimpe looks doubtful."I've been there. You haven't.”

“...part of me must have really wanted to believe--like a child hearing, in perfect safety, a tale of horror--that the unconscious would be like any other room, once the light was let in. That the dark shapes would resolve only into toy horses and Biedermeyer furniture. That therapy could tame it after all, bring it into society with no fear of its someday reverting. I wanted to believe, despite everything my life had been. Can you imagine?”

“If they can get you asking the wrong questions, they don't have to worry about answers.”

“Whenever I put the headset on now," he'd continued, "I really do understand what I find there. When those kids sing about 'She loves you,' yeah well, you know, she does, she's any number of people, all over the world, back through time, different colors, sizes, ages, shapes, distances from death, but she loves. And the 'you' is everybody. And herself. Oedipa, the human voice, you know, it's a flipping miracle." His eyes brimming, reflecting the color of beer."Baby," she said, helpless, knowing of nothing she could do for this, and afraid for him.He put a little clear plastic bottle on the table between them. She stared at the pills in it, and then understood. "That's LSD?”