“With trembling hands, Zach opened the front cover and flipped to the dedication page. "To Zachary Easton, my editor. Fuck you.”

“Excellent. I've been told I have a lovely, melodic reading voice." He flipped the book open to the front page, where the title was printed in ornate script. Across from it was a long dedication, the ink faded now and barely legible, though Clary could make out the signature: With hope at last, William Herondale.”

“You could have fucked me ’til your uncut, overexposed on the blogs, ‘too ginormous for my snatch’ pecker fell off. And I’d still no way never ever in a thousand years sell, loan, sample you my Easton. And to answer your question, I run my company with my pussy, and twenty-four other pussy-sporting employees. Easton girls do not allow dickheads or cocks in our fashion world. Period.”

“A human!” He grasps my hand with both of his and dances me in a circle. Then he stops and pulls out his notebook and a pen, flips it open to a blank page, and poises his pen over the page. “Do you have dreams when you sleep at night? What do you dream about? What did you eat for breakfast? How often do you eat in a day? Omnivore, herbivore, or carnivore? Let me look at your teeth.”He steps close as if he would open my mouth for me and inspect it as if I were a horse for sale. I take a step back and bump into the stall door behind me.”

“When you run, you log on to yourself. You flip through the pages of your being.”

“There is no narrative now, no “And then,” only a disjointed series of images. A pile of photographs I’ve flipped through so many times that I don’t even need to look at them anymore to know what’s there, to see it, to cover my face with my hands and cry.”