“It's funny, but you never really think much about breathing. Until it's all you ever think about.”
“ And as an artist, as someone who writes stories and tries to make words into beautiful forms, it's vitally important to me, especially in a culture that's forgotten the value of beauty. It's a primary source or inspiration, I guess, when so much of what goes on around you is only about money and big swinging dick capitalism. It's important for blokes to be able to do beautiful stuff, impractical stuff, that adds to life. That's an early life-lesson from surfing.”
“Writing a book is a bit like surfing," he said. "Most of the time you're waiting. And it's quite pleasant, sitting in the water waiting. But you are expecting that the result of a storm over the horizon, in another time zone, usually, days old, will radiate out in the form of waves. And eventually, when they show up, you turn around and ride that energy to the shore. It's a lovely thing, feeling that momentum. If you're lucky, it's also about grace. As a writer, you roll up to the desk every day, and then you sit there, waiting, in the hope that something will come over the horizon. And then you turn around and ride it, in the form of a story.”
“Will you look at us by the river! The whole restless mob of us on spread blankets in the dreamy briny sunshine skylarking and chiacking about for one day, one clear, clean, sweet day in a good world in the midst of our living. Yachts run before an unfelt gust with bagnecked pelicans riding above them, the city their twitching backdrop, all blocks and points of mirror light down to the water's edge.”
“It's the pointless things that give your life meaning. Friendship, compassion, art, love. All of them pointless. But they're what keeps life from being meaningless.”
“Life was something you didn't argue with, because when it came down to it, whether you barracked for God or nothing at all, life was all there was. And death.”
“The pig winks and rolls in the bog. He kicks his legs up and his trotters clack together. The sun is low over the neighbourhood. There is the smell of oncoming night, of pollen settling, the sounds of kids fighting bath time. Lester comes down, waving his hands.Don't drown the pig, Fish. We're saving him for Christmas! We're gonna eat him.No!I'll drink to that, says the pig.Lester stands there. He looks at Fish. He looks at the porker. He peeps over the fence. The pig. The flamin' pig. The pig has just spoken. It's no language that he can understand, but there's no doubt. He feels a little crook, like maybe he should go over to that tree and puke. I like him, Lestah.He talks?Yep.Oh, my gawd.Lester looks at his retarded son again and once more at the pig.The pig talks.I likes him.Yeah, I bet.The pig snuffles, lets off a few syllables: aka sembon itwa. It's tongues, that's what it is. A blasted Pentecostal pig.And you understand him?Yep. I likes him.Always the miracles you don't need. It's not a simple world, Fish. It's not.”