“Most of the writers I know work every day, in obscurity and close to poverty, trying to say one thing well and true. Day in, day out, they labor to find their voice, to learn their trade, to understand nuance and pace. And then, facing a sea of rejections, they hear about something like Barbara Bush’s dog getting a book deal.”

“The most important thing about art is to work. Nothing else matters except sitting down every day and trying.”

“The wisdom of the journeyman is to work one day at a time and he always said that any job even if it took years was made up out of a day's work. Nothing more. Nothing less. That was hard for me to learn. I always wanted to be finished. In the concept of a day's work is rythme and pace and wholeness.”

“And why do you want to be near me?"Because you're all I can think about, day and night. I don't know what the hell is going on with us; I only know I can't get rid of it. I don't care if you're batshit insane and think you're the reincarnation of Cleopatra. I hear voices; you hear dogs. We'll work it out. Maybe get a discount on therapy.”

“Aunt Lovey used to tell me that if I wanted to be a writer, I needed a writer's voice. 'Read,' she'd say, 'and if you have a writer's voice, one day it will shout out, 'I can do that too! ”

“Some phone calls he doesn't say much and I know he called just to hear my voice. That's all he wants- to hear me tell him about my day, what the surf's like, what work's like. And that's humbling, knowing that your voice can mean so much to another person.”