“Houses, trees and fields of flax once flourished here. Summers had been blue with flowers. Now it was a shallow sea of stinking grey from end to end. And this is where you fought the war.”

“In the dark that followed - Lucy said; "where I was born, the trees were always in the sun. And I left that place because it was intolerant of rain. Now, we are here in a place where there are no trees and there is only rain. And I intend to leave this place - because it is intolerant of light. Somewhere - there must be somewhere where darkness and light are reconciled. So I am starting a rumour, here and now, of yet another world. I don't know when it will present itself - I don't know where it will be. But - as with all those other worlds now past when it is ready, I intend to go there.”

“The mud. There are no good similes. Mud must be a Flemish word. Mud was invented here. Mudland must have been its name. The ground is the colour of steel. Over most of the plain there isn't a trace of topsoil; only sand and clay. The Belgians call them 'clyttes', these fields, and the further you go towards the sea, the worse the clyttes become. In them, the water is reached by the plough at an average depth of eighteen inches. When it rains (which is almost constantly from early September through to March, except when it snows) the water rises at you out of the ground. It rises from your footprints-and an army marching over a field can cause a flood. In 1916, it was said that you 'waded to the front'. Men and horses sank from sight. They drowned in mud. Their graves, it seemed, just dug themselves and pulled them down.”

“Ede had been pregnant not quite the full term: eight months, two weeks, four days. She had lapsed into an extended silence - partly because she was still in mourning - still enraged and afraid of speech. And partly, too, because the child itself had taken up dreaming in her belly - dreaming and, Ede was certain, singing. Not singing songs a person knew, of course. Nothing Ede could recognize. But songs for certain. Music - with a tune to it. Evocative. A song about self. A song about place. As if a bird had sung it, sitting in a tree at the edge of a field. Or high in the air above a field. A hovering song. Of recognition.”

“Master Stuart made his letters into paper darts and launched them page by page from the roof of the house-watching them descend and fade into the green ravine below...Some he saved to trade at school for other artifacts of war sent home by other elder brothers like his own-but only the letters mailed from France were worthy of this exchange. They had to have the smell of fire.”

“Here was an unknown quantity-a child in breeches with a blue scarf wound around his neck whose job it was to get them out and back alive. This...was the greatest terror of war: what you didn't know of the men who told you what to do-where to go and when. What if they were mad-or stupid? What if their fear was greater than yours? Or what if they were brave and crazy-wanting and demanding bravery from you? He looked away. He thought of being born-and trusting your parents. Maybe that was the same. Your parents could be crazy too. Or stupid. Still-he'd rather his father was with him-telling him what to do. Then he smiled. He knew that his father would take one look at the crater and tell him not to go.”

“Everyone who’s born has come from the sea. Your mother’s womb is just a sea in small. And birds come of seas on eggs. Horses lie in the sea before they’re born. The placenta is the sea. Your blood is the sea continued in your veins. We are the ocean — walking on the land.”