“Mrs Ross adjusted her veil but did not put the flask away... 'Why is this happening to us, Davenport? What does it mean - to kill your children? Kill them and then go in there and sing about it! What does that mean?' She wept-but angrily.”

“When Mrs Ross asked him what he was thinking of, he shrugged. But he was thinking of the time he'd climbed the steeple of a church when he was ten-and had seen, for the very first time, the world spread out around him like a gift.”

“Here was an unknown quantity-a child in breeches with a blue scarf wound around his neck whose job it was to get them out and back alive. This...was the greatest terror of war: what you didn't know of the men who told you what to do-where to go and when. What if they were mad-or stupid? What if their fear was greater than yours? Or what if they were brave and crazy-wanting and demanding bravery from you? He looked away. He thought of being born-and trusting your parents. Maybe that was the same. Your parents could be crazy too. Or stupid. Still-he'd rather his father was with him-telling him what to do. Then he smiled. He knew that his father would take one look at the crater and tell him not to go.”

“As for the myths, take anyone's life and deny that most of it is deliberate self-delusion - an aggrandizement - a mixture of lies and truth, of what was wanted and what was had, producing the necessary justification for having been granted life in the first place. I was struck like a match, Lily wrote. I had no option but to burn. You can put a period after that. Lily did. It was the story of her life.”

“Ede had been pregnant not quite the full term: eight months, two weeks, four days. She had lapsed into an extended silence - partly because she was still in mourning - still enraged and afraid of speech. And partly, too, because the child itself had taken up dreaming in her belly - dreaming and, Ede was certain, singing. Not singing songs a person knew, of course. Nothing Ede could recognize. But songs for certain. Music - with a tune to it. Evocative. A song about self. A song about place. As if a bird had sung it, sitting in a tree at the edge of a field. Or high in the air above a field. A hovering song. Of recognition.”

“Frederick?Had she really spoken? Certainly she'd tried, but her voice had failed to materialize and all she heard was the sound of her nightgown ripping as Frederick pulled it over her head and threw it aside. He was kneeling now between her ankles, pushing at her, forcing her knees apart and then her arms until she was entirely splayed on the bed beneath him. Nothing was said. Not a word. Ede felt his hand between her legs, forcing the way for the rest of him. Stop, she wanted to tell him. Stop. I don't understand what you're doing. But nothing - still nothing was said. He seemed to be raging inside her, moving his hips in a circular fashion, all the weight of his upper body help above her, resting on his arms, his hands pushing down into the mattress. Stop! But he didn't. Don't! But he did. Nothing. Not one word. The only sound he made was a choking noise in his throat at the end, as tough he might be going to strangle. But when he rolled away from her onto his back, she felt the shudder of his first free breath and she heard him sigh. It was over. Tonight. It was done. Ede could not bare the thought of seeing him, or of being seen. Still without speaking, she rose from the bed and through the dark, found her way to the bathroom. She had brought the torn nightgown wit her, but when she turned on the light and saw it, she threw it down in the corner. Ruined. Spoiled. Everything. When at last, she returned to the bed, Fredrick was sound asleep beneath the covers - and nothing - nothing - nothing was said.”

“I tell you Charlie, I was there waiting in that field. waiting for Ede and Tom to find me. You don't think two people come together for nothing, do you? They were together because I was waiting to be found..." Then she looked straight into my face and said to me: "You know it, too, Charlie. All that time you waited for me to find you. What if I hadn't? What if I'd said: I won't?" She turned, and clinging to my arm, she surveyed the fields of snow the stretched away to the confining wall.”