“Had he learned nothing from all those years of teaching Hawthorne? Through story after story he’d led his boys to consider the folly of obsession with purity – its roots sunk deep in pride, flowering condemnation and violence against others and self.”

“Everything necessary to understand my grandfather lies between two stories: the story of the tiger’s wife, and the story of the deathless man. These stories run like secret rivers through all the other stories of his life – of my grandfather’s days in the army; his great love for my grandmother; the years he spent as a surgeon and a tyrant of the University. One, which I learned after his death, is the story of how my grandfather became a man; the other, which he told to me, is of how he became a child again.”

“All these years Litvinoff had imagined he was so much like his friend. He’d prided himself on what he considered their similarities. But the truth was that he was no more like the man fighting a fever in bed ten feet away than he was like the cat that had just slunk off: they were different species.”

“Aureliano Segundo was deep in the reading of a book. Although it had no cover and the title did not appear anywhere, the boy enjoyed the story of a woman who sat at a table and ate nothing but kernels of rice, which she picked up with a pin, and the story of the fisherman who borrowed a weight for his net from a neighbor and when he gave him a fish in payment later it had a diamond in its stomach, and the one about the lamp that fulfilled wishes and about flying carpets. Surprised, he asked Ursula if all that was true and she answered him that it was, that many years ago the gypsies had brought magic lamps and flying mats to Macondo."What's happening," she sighed, "is that the world is slowly coming to an end and those things don't come here any more.”

“There were few other passengers: a man in an overcoat, his head sunk against his chest; a couple with arms around each other, impervious to their surroundings; and a teenage boy with a black scarf wound round his neck, Zorro-style. Isabel smiled to herself: a microcosm of our condition, she thought. Loneliness and despair; love and its self-absorption; and sixteen, which was a state all its own.”

“Her voice had a thin thread of sadness running through it that made the song important, that made it tell a story that wasn’t in the words – a story of despair, of loneliness, of frustration. It was a story that all of them knew by heart and had always known because they had learned it soon after they were born and would go on adding to it until the day they died.”