“His hate wasn't professional; it was an obsession, a fixation, as if unrequited love had grown awful, twisted into something ugly.”

“Ideas are more powerful than guns. We would not let our enemies have guns, why should we let them have ideas?”

“Love wasn't to be measured, much less restricted, by methodology. Love wasn't a method. Love was a faculty of the highest order, imagined or unimagined. Love wasn't an activity. Love was an experience. Love was the second coming of innocence.”

“Before I met Maria, I was your basic craven hermit. I spent most of my time in my room, in love with my walls, hiding out from the world with myfanzines and my records. I thought I was happier that way. I had developed these monastic habits to protect myself from something, probably, butwhatever it was, the monastic habits had turned into the bigger problem. In my headphones, I led a life of romance and incident and intrigue, noneof which had anything to do with the world outside my Walkman. I was an English major, obsessed with Oscar Wilde and Walter Pater and AlgernonSwinburne, thrilling to the exploits of my decadent aesthete poet idols, even though my only experience with decadence was reading about it.”

“We are supposed to do something with these/Damn hearts of ours, and we are meant to love and be loved.”

“I've always enjoyed a challenge," Niko remarked, shifting through the powder to lift something out. "I think perhaps there are other things I could enjoy instead. Bonsai trees, painting, forging my own weapons. The opportunities are endless." He opened his hand to show me the small braid of several yellowed hairs. "Voodoo." "Think it would work?" I perked up. Killing from a distance wasn't usually my thing, but in this case, I'd make an exception.”

“Beauty! Wasn't that what mattered? Beauty was hardly a popular ideal at that jumpy moment in history. The masses had been desensitized to it, the intelligentsia regarded it with suspicion. To most of her peers, 'beauty' smacked of the rarefied, the indulgent, the superfluous, the effete. How could persons of good conscience pursue the beautiful when there was so much suffering and injustice in the world? Ellen Cherry's answer was that if one didn't cultivate beauty, soon he or she wouldn't be able to recognize ugliness. The prevalence of social ugliness made commitment to physical beauty all the more essential. And the very presence in life of double-wide mobile homes, Magic Marker graffiti, and orange shag carpeting had the effect of making ills such as poverty, crime, repression, pollution, and child abuse seem tolerable. In a sense, beauty was the ultimate protest, and, in that it generally lasted longer than an orgasm, the ultimate refuge. The Venus de Milo screamed 'No!' at evil, whereas the Spandex stretch pant, the macrame plant holder were compliant with it. Ugly bedrooms bred ugly habits. Of course, it wasn't required of beauty that it perform a social function. That was what was valuable about it.”