“If there’s a thing, a scene, maybe, an image that you want to see real bad, that you need to see but it doesn’t exist in the world around you, at least not in the form that you envision, then you create it so that you can look at it and have it around, or show it to other people who wouldn’t have imagined it because they perceive reality in a more narrow, predictable way. And that’s it. That’s all an artist does.”

“I've lived most of my adult life outside the law, and never have I compromised with authority. But neither have I gone out and picked fights with authority. That's stupid. They’re waiting for that; they invite it; it helps keep them powerful. Authority is to be ridiculed, outwitted and avoided. And it is fairly easy to do all three. If you believe in peace, act peacefully; if you believe in love, act lovingly; if you believe every which way, then act every which way, that’s perfectly valid—but don’t go out trying to sell your beliefs to the System. You end up contradicting what you profess to believe in, and you set a bum example. If you want to change the world, change yourself.”

“You risked your life, but what else have you ever risked? Have you risked disapproval? Have you ever risked economic security? Have you ever risked a belief? I see nothing particularly courageous about risking one's life. So you lose it, you go to your hero's heaven and everything is milk and honey 'til the end of time. Right? You get your reward and suffer no earthly consequences. That's not courage. Real courage is risking something that might force you to rethink your thoughts and suffer change and stretch consciousness. Real courage is risking one's clichés.”

“There's no such thing as security in this life sweetheart, and the sooner you accept that fact, the better off you'll be. The person who strives for security will never be free. The person who believes she's found security will never reach paradise. What she mistakes for security is purgatory. You know what purgatory is, Gwendolyn? It's the waiting room, it's the lobby. Not only does she have the wrong libretto, she's stuck in the lobby where she can't see the show.”

“Perhaps a person gains by accumulating obstacles. The more obstacles set up to prevent happiness from appearing, the greater the shock when it does appear, just as the rebound of a spring will be all the more powerful the greater the pressure that has been exerted to compress it. Care must be taken, however, to select large obstacles, for only those of sufficient scope and scale have the capacity to lift us out of context and force life to appear in an entirely new and unexpected light.For example, should you litter the floor and tabletops of your room with small objects, they constitute little more than a nuisance, an inconvenient clutter that frustrates you and leaves you irritable; the petty is mean. Cursing, you step around the objects, pick them up, knock them aside.Should you, on the other hand, encounter in your room a nine thousand pound granite boulder, the surprise it evokes, the extreme steps that must be taken to deal with it, compel you to see with new eyes. Difficulties illuminate existence, but they must be fresh and of high quality.”

“In referring to her earlier statement that he had was not her type because he was "a dollar short when it came to maturity and a day late when it came to peace." I may have been wrong about that," she conceded. "You are a complicated man, but happily complicated. You have found a way to be at home with the world's confusion, a way to embrace the chaos rather than struggle to reduce it or become its victim. It's all part of the game to you, and you are delighted to play. In that regard, you may have reached a more elevated plateau of harmony than...ummph.”

“Those people who recognise that imagination is reality's master, we call sages, and those who act upon it, we call artists.”