“If there’s a thing, a scene, maybe, an image that you want to see real bad, that you need to see but it doesn’t exist in the world around you, at least not in the form that you envision, then you create it so that you can look at it and have it around, or show it to other people who wouldn’t have imagined it because they perceive reality in a more narrow, predictable way. And that’s it. That’s all an artist does.”

“Maybe it’s the other way around,” Jason suggested. “Maybe people with special gifts show up when bad things are happening because that’s whenthey’re needed most.”

“The way Lillian says it is hungry, like she’s waiting for something to be revealed, and I wonder if maybe that’s the real difference between us—that when she pulls back the curtain and stares into the blackness behind it, it’s just one more way of testing herself. Like some game you can never win, because even if you face all the shocking realities and the horrors of the world, once you’ve seen that kind of awfulness, you can never un-see it. You have to carry it around with you forever.”

“You don't have to believe in Hell. All you need is to hear someone who really does, who believes in it this minute, today, the way people believe in 1685 — all you have to do is see his face, his voice when he says the word... and than you know that anyone who can imagine Hell has the power to make it real for other people.”

“What about you, Snipes?" Dunbar asked. "You think there to be mountain lions up here or is it just folks' imaginings?"Snipes pondered the question a few moments before speaking.They's many a man of science would claim there aint because you got no irredeemable evidence like panther scat or fur or tooth or tail. In other words, some part of the animal in questions. Or better yet having the actual critter itself, the whole think kit and caboodle head to tail, which all your men of science argue is the best proof of all a thing exists, whether it be a panther, or a bird, or even a dinosaur."To put it another way, if you was to stub your toe and tell the man of science what happened he'd not believe a word of it less he could see how it'd stoved up or was bleeding. But your philosophers and theologians and such say there’s things in the world that’s every bit as real even though you can’t see them.”Like what?” Dunbar asked.Well,” Snipes said. “They’s love, that’s one. And courage. You can’t see neither of them, but they’re real. And air, of course. That’s one of your most important examples. You wouldn’t be alive a minute if there wasn’t air, but nobody’s ever seen a single speck of it.”… “All I’m saying is there is a lot more to this old world than meets the eye.”… “And darkness. You can’t see it no more than you can see air, but when its all around you sure enough know it.” (Serena, 65-66)”

“Now you’ve said it. The hopeless emptiness. Hell, plenty of people are on to the emptiness part; out where I used to work, on the Coast, that’s all we ever talked about. We’d sit around talking about emptiness all night. Nobody ever said ‘hopeless,’ though; that’s where we’d chicken out. Because maybe it does take a certain amount of guts to see the emptiness, but it takes a whole hell of a lot more to see the hopelessness. And I guess when you do see the hopelessness, that’s when there’s nothing to do but take off. If you can”