“To the extent that this world surrenders its richness and diversity, it surrenders its poetry; to the extent that it relinquishes its capacity to surprise, it relinquishes its music; to the extent that it loses its ability to tolerate ridiculous and even dangerous exceptions, it loses its grace.”
“…the extent to which a society focuses on the needs of its lowest common denominator is the extent to which that society’ll be mired in mediocrity. Whereas, if we would aim the bulk of our support at the brightest, most talented, most virtuous instead, then they would have the wherewithal to solve a lot of our problems, to uplift the whole culture, enlighten it or something, so that eventually there wouldn’t be so many losers and weaklings impeding evolution and dragging the whole species down…. Martyrs…just perpetuate human misery by catering to it…. Individuals have to take responsibility for their own lives and accept the consequences of their choices.”
“What difference does it make if the Gospel is mostly a lie? It's an engrossing story and the words of its hero are excellent words to live by, even today.”
“If New Orleans is not fully in the mainstream of culture, neither is it fully in the mainstream of time. Lacking a well-defined present, it lives somewhere between its past and its future, as if uncertain whether to advance or to retreat. Perhaps it is its perpetual ambivalence that is its secret charm. Somewhere between Preservation Hall and the Superdome, between voodoo and cybernetics, New Orleans listens eagerly to the seductive promises of the future but keeps at least one foot firmly planted in its history, and in the end, conforms, like an artist, not to the world but to its own inner being--ever mindful of its personal style.”
“The new towns of the 1950s and '60s were nothing less than the spatial translation of alienation and control and in these cities power increasingly could relinquish the old forms of advertising in favor of 'the simple organization of the spectacle of objects of consumption, which will only have consumable value illusory to the extent to which they will first of all have been objects of spectacle' -- to the extent, that is, they have first appeared on the television screen, which henceforth had to be seen as an urbanistic tool in its own right.”
“With me, something different and deep, in bright focus and pointing the way, arrived in the practice of hitchhiking. I am the spirit and the heart of hitchhiking, I am its cortex and its medulla, I am its foundation and its culmination, I am the jewel in its lotus.”
“The first thunderstorm of the season was in the dressing room, donning its black robes and its necklace of hailstones, strapping on its electrical sword.”