“You know what I mean? Real and unreal, beautiful and strange, like a dream. It got me high as a kite, but it didn’t last long enough. It ended too soon and left nothing behind.”That’s how it is with dreams,” said Priscilla. “They’re the perfect crime.”
In this quote from Tom Robbins' novel, a character named Priscilla reflects on the fleeting and elusive nature of dreams. The juxtaposition of "real and unreal, beautiful and strange" highlights the ethereal quality of dreams, which can evoke intense emotions and sensations but ultimately leave us longing for more. Priscilla's analogy of dreams being "the perfect crime" suggests that dreams have the ability to captivate us and stir our imaginations, only to disappear without a trace, leaving us with a sense of longing and intrigue. This quote captures the enigmatic and transient nature of dreams, inviting readers to contemplate the complexities of their own unconscious experiences.
In the quote by Tom Robbins, the characters discuss dreams as being both exhilarating and fleeting, much like a drug-induced high. This concept of dreams representing a temporary escape from reality, only to leave us wanting more, has modern relevance in today's society where people often seek out distractions to cope with the pressures and monotony of everyday life. Whether it be through social media, entertainment, or other forms of escapism, the allure of temporary relief can sometimes overshadow the importance of facing one's reality and dealing with the consequences. Like a "perfect crime," dreams can offer a brief respite, but ultimately, they cannot shield us from the inevitable return to our waking lives.
“You know what I mean? Real and unreal, beautiful and strange, like a dream. It got me high as a kite, but it didn’t last long enough. It ended too soon and left nothing behind.”That’s how it is with dreams,” said Priscilla. “They’re the perfect crime.” - Tom Robbins
Reflecting on the quote by Tom Robbins and Priscilla, consider the following questions:
“It was wonderful, Pris.""What was, honey? The meeting? The champagne?""The eclipse," said Ricki. "It was probably the most real thing I've ever seen, but it was also like a dream. You know what I mean? Real and unreal, beautiful and strange, like a dream. It got me high as a kite, but it didn't last long enough. It ended too soon and left nothing behind.""That's how it is with dreams," said Priscilla. "They're the perfect crime.”
“You know a trillion times more about art than me. But I’ve learned that it isn’t necessary to know all that much. You just make what you wanna see, right? It’s a game, right? It’s like being paid for dreaming.”
“In the end, perhaps we should simply imagine a joke; a long joke that's continually retold in an accent too thick and strange to ever be completely understood. Life is that joke my friends. The soul is the punch line.”
“Once, in a spasm of sappiness, you asked Q-Jo if she thought your dreams would ever come true. 'You aren't talking about dreams,' she corrected you, 'you're referring to your pathetic bourgeoisie ambitions. Dreams don't come true. Dreams are true.”
“I've lived most of my adult life outside the law, and never have I compromised with authority. But neither have I gone out and picked fights with authority. That's stupid. They’re waiting for that; they invite it; it helps keep them powerful. Authority is to be ridiculed, outwitted and avoided. And it is fairly easy to do all three. If you believe in peace, act peacefully; if you believe in love, act lovingly; if you believe every which way, then act every which way, that’s perfectly valid—but don’t go out trying to sell your beliefs to the System. You end up contradicting what you profess to believe in, and you set a bum example. If you want to change the world, change yourself.”
“Beauty! Wasn't that what mattered? Beauty was hardly a popular ideal at that jumpy moment in history. The masses had been desensitized to it, the intelligentsia regarded it with suspicion. To most of her peers, 'beauty' smacked of the rarefied, the indulgent, the superfluous, the effete. How could persons of good conscience pursue the beautiful when there was so much suffering and injustice in the world? Ellen Cherry's answer was that if one didn't cultivate beauty, soon he or she wouldn't be able to recognize ugliness. The prevalence of social ugliness made commitment to physical beauty all the more essential. And the very presence in life of double-wide mobile homes, Magic Marker graffiti, and orange shag carpeting had the effect of making ills such as poverty, crime, repression, pollution, and child abuse seem tolerable. In a sense, beauty was the ultimate protest, and, in that it generally lasted longer than an orgasm, the ultimate refuge. The Venus de Milo screamed 'No!' at evil, whereas the Spandex stretch pant, the macrame plant holder were compliant with it. Ugly bedrooms bred ugly habits. Of course, it wasn't required of beauty that it perform a social function. That was what was valuable about it.”