“GUIL: A scientific approach to the examination of phenomena is a defence against the pure emotion of fear”
“...Everything has to be taken on trust; truth is only that what is taken to be true. It's the currency дf living. There may be nothing behind it, but it doesn't make any difference so long as it is honoured. One acts on assumptions. What do you assume?”
“It's where we're nearest to our humanness. Useless knowledge for its own sake. Useful knowledge is good, too, but it's for the faint-hearted, an elaboration of the real thing, which is only to shine some light, it doesn't matter where on what, it's the light itself, against the darkness, it's what's left of God's purpose when you take away God.”
“HENRY:Leave me out of it. They don’t count. Maybe Brodie got a raw deal, maybe he didn’t. I don’t know. It doesn’t count. He’s a lout with language. I can’t help somebody who thinks, or thinks he thinks, that editing a newspaper is censorship, or that throwing bricks is a demonstration while building tower blocks is social violence, or that unpalatable statement is provocation while disrupting the speaker is the exercise of free speech…Words don’t deserve that kind of malarkey. They’re innocent, neutral, precise, standing for this, describing that, meaning the other, so if you look after them you can build bridges across incomprehension and chaos. But when they get their corners knocked off, they’re no good any more, and Brodie knocks their corners off. I don’t think writers are sacred, but words are. They deserve respect. If you get the right ones in the right order, you can nudge the world a little or make a poem which children will speak for you when you’re dead.Act II, Scene 5, HENRY and ANNIE”
“Now for a handful of guilders I happen to have a private and uncut performance of the rape of the Sabine Women - or rather woman, or rather Alfred -Get your skirt on Alfred!”
“Words are sacred. They deserve respect. If you get the right ones, in the right order, you can nudge the world a little.”