“Fantasy flows in where fact leaves a vacuum.”

“Because children grow up, we think a child's purpose is to grow up. But a child's purpose is to be a child. Nature doesn't disdain what lives only for a day. It pours the whole of itself into the each moment. We don't value the lily less for not being made of flint and built to last. Life's bounty is in its flow, later is too late. Where is the song when it's been sung? The dance when it's been danced? It's only we humans who want to own the future, too. We persuade ourselves that the universe is modestly employed in unfolding our destination. We note the haphazard chaos of history by the day, by the hour, but there is something wrong with the picture. Where is the unity, the meaning, of nature's highest creation? Surely those millions of little streams of accident and wilfulness have their correction in the vast underground river which, without a doubt, is carrying us to the place where we're expected! But there is no such place, that's why it's called utopia. The death of a child has no more meaning than the death of armies, of nations. Was the child happy while he lived? That is a proper question, the only question. If we can't arrange our own happiness, it's a conceit beyond vulgarity to arrange the happiness of those who come after us.”

“Eternity is a terrible thought. I mean, where's it going to end?”

“Autumnal -- nothing to do with leaves. It is to do with a certain brownness at the edges of the day ... Brown is creeping up on us, take my word for it ... Russets and tangerine shades of old gold flushing the very outside edge of the senses... deep shining ochres, burnt umber and parchments of baked earth -- reflecting on itself and through itself, filtering the light. At such times, perhaps, coincidentally, the leaves might fall, somewhere, by repute. Yesterday was blue, like smoke.”

“There must have been a moment, at the beginning, where we could have said -- no. But somehow we missed it.”

“People do terrible things to each other, but it's worse in the places where everybody is kept in the dark.”

“Why do I have a sense of impending disaster?(He reflects) Sonders is after my niece and has discovered the secret address where I am sending her to the safe keeping of my sister-in-law Miss Blumenblatt, who has never laid eyes on him, or, for that matter, on Marie either since she was a baby—while I have to leave my business in the charge of my assistant and an apprentice, and follow my new servant, whom I haven't had time to introduce to anyone, to town to join the parade and take my fiancée to dinner in a uniform I can't sit down in.One false move and we could have a farce on our hands.”