“He wants to put his story next to hers.”

“In his writings, Patton was shameless about his ambition to woo Lena to be his bride. He detailed the gradual progress he made, playing music for her on his violin, writing her poems, beguiling her with stories, engaging her in conversation. It was clear that he obsessed over her. He knew what he wanted and never relented until she was his.”

“Come on,” he said quietly, bending to her and lifting her whole into his arms. He carried her inside. After setting her down next to the sink, he crushed five trays of ice into it and filled it with cold water. Tatiana thought he was going to tell her to put her face into it, and was about to meekly impotently protest—when Alexander submerged his own head into the ice.”

“He feels as if he is floating, and she is weighting him to earth; he would like to put his arms around her and his face in her apron, and rest there listening to her heartbeat. But he doesn't want to mess her up, get blood all down the front of her.”

“He wanted to put his arms around her, but she had a darkness that seemed to stand beside her like an acquaintance that would not go away.”

“I think it is vanity to want to put into a story anything but the story itself.”