“I'm a Midwesterner, and everyone in Ohio is excited. I'm also a New Yorker, and a New Jerseyan, and an American, plus I'm an African-American, and a woman. I know it seems like I'm spreading like algae when I put it this way, but I'd like to think of the prize being distributed to these regions and nations and races.”

“I'm interested in the way in which the past affects the present and I think that if we understand a good deal more about history, we automatically understand a great more about contemporary life.”

“When I write, I don't translate for white readers.... Dostoevski wrote for a Russian audience, but we're able to read him. If I'm specific, and I don't overexplain, then anyone can overhear me.”

“I'm not entangled in shaping my work according to other people's views of how I should have done it.”

“I know what every colored woman in this country is doing... Dying. Just like me. But the difference is they dying like a stump. Me, I’m going down like one of those redwoods. I sure did live in this world.”

“In Ohio seasons are theatrical. Each one enters like a prima donna, convinced its performance is the reason the world has people in it.”

“This here Sethe talked about love like any other woman; talked about baby clothes like any other woman, but what she meant could cleave the bone. This here Sethe talked about safety with a handsaw. This here new Sethe didn't know where the world stopped and she began. Suddenly he saw what Stamp Paid wanted him to see: more important than what Sethe had done was what she claimed. It scared him.”